Trance

Corridos - their accordion players have no fucking business being that good!

Old country (like Lefty Frizzell and Ernest Tubb) - Them dulcet tones and godDAMN that slide gitar.

Progressive metal.

One of my favorite bands has a song where it sounds like everyone is playing a different time signature simultaneously, and it feels out of time and chaotic… And then snaps into focus perfectly, before breaking up again. (I can’t identify the time signatures, no. I can hear at least two, and I’m pretty sure three. I think the drummer is doing polyrhythms?) You can listen to the same song five times in a row, focusing on a difference part each time, and hear something new each time. Or take Opeth’s “River”; the same same song seems to effortless combine elements of country, blues, 70s rock, NWBHM into something that feels both classic and new. (“New” despite being originally released in 2014.) Or, shit, An Abstract Illusion’s “Woe”; it’s nominally split into 7 tracks, but the lack of breaks between songs means that the whole thing flows into a single piece. Or, or or!, “Castaway Angels” by Leprous; Leprous stretches and strains the definitions of what metal is, and is not. While some of what they do is clearly metal, are they still a metal band?

The only thing that’s a real constant in progressive metal is that the bands all have impeccable musicianship.

That strange point on a musical map, where Instrumental Hip-Hop, Chilled Trap, woozy Electronica, and Future Soul meet, exchange ideas, collaborate, and spawn in the soft, bluish glow. Unwind and detangle amidst the soft harmonies, deep bass, smooth chords, ethereal vocals, and dynamic percussion. Coughso,Coughma

Whatever genre includes System of a Down, Rage against the Machine, Tool, and Nine Inch Nails

They have either a message or emotional rage or both at the same time. SOAD can go from pizza song to songs about prison industrial complex on the same album. Rage is uncompromisingly left political. Tool is on a journey from anger and unhealthy mental health in their early albums to embracing therapeutic ideas and healing while still feeling human emotions. NIN is just raw industrial sound and emotion.

Metalcore.

I love the raw emotion you can hear and feel in harsh vocals, usually the lyrics and themes explored in this genre are best expressed with screams, and sometimes its the only appropriate way to rail against injustices and corruption or express the anguish and headache of emotional struggles.

I also love the contrast that clean vocals provide, usually with pop-like hooks soaring into catchy choruses or just to really bring a juxtaposition with the harsh vocals to give even more depth to the things that are sung and the things that need to be screamed. And sometimes the heart wrenching emotion that the cleans can provide [listen to Gone With the Wind by Architects]. (Note: not all metalcore has both clean and harsh vocals, but often a combination of both)

And the music itself is high energy, driving beats rapid double bass drum patterns and catchy guitar riffs with often unpredictable tempo changes and transitions to take you by surprise and keep your brain buzzing with anticipation, and not to gloss over the breakdowns. Oh when that tempo drops, guitars chugg and the drums start crashing china cymbals like a thunderstorm erupting around your head and you just feel the need to bang your head feeling like your heart is beating out of your chest and electricity is coursing through your veins.

Anyways, i think its pretty good music.

Bach. Both easy to listen to and a never ending trove of new discoveries. Emotional and yet silly. Spiritual even for an atheist. Simple yet cerebral. Occasionally melancholy yet always life affirming. Rule bound, yet jazzy.

Murder ballads. I don’t know that it’s a genre of music per se, so much that it’s a subject that people have sung about across different genres. It’s just so antithetical to what we normally consider music, normally it’s love songs and such. Epic examples include:

• In the Pines (famously covered by Nirvana)
• Violent Femmes - Country Death Song
• Mack the Knife (Louis Armstrong version is the best)

Less of a genre, more of an era, but I absolutely love music from the '60s. It’s just infectious. Some of it is infectiously happy - e.g., Dancing in the Street by Martha & The Vandellas, or Dance to the Music by Sly and the Family Stone. Some is infectiously melancholy, like The Sound of Silence by Simon & Garfunkel, or Abraham, Martin, and John by Dion. And some you just can’t help but sing along to, like Creeque Alley by the Mamas and the Papas, or Good Morning by Oliver. And of course all the amazing classic rock, experimental sounds, and folk music from that era! Even some of the novelty songs are super memorable (I’m lookin at you, MacArthur Park!).

Dreamcore

I can’t really describe it other then it tends to be dreamy, buzzy, otherworldly, tends to use binaural beat type sounds, vestibular. If you liked Earthbound’s music you’ll probably like it a little

Sort of similar to lo-fi and muzak but it sounds qualitatively distinct to me. I find it very soothing and relaxing

Gothic metal, Peter Steele is my spirit animal and Type O Negative is the soundtrack of my life.

Any metal with growing. I don’t care for lyrics unless they are funny. This applies to music where you can actually hear them too.

Try suggesting a metal band too extreme for me. I don’t like the lo-fi black metal because of the lo-fi part.

Grindcore. Blast beats. Anti-capitalism.

It’s hard to pick a favorite, but right now I’m really into Funk. Funk as a whole, definitely, but the subsect that is Bubblegum Funk is just so relaxing and chill, I’ve been listening to it while working lately.

Not necessarily a favourite but I have a lot of time for Drone Metal - classic example would be ØØ Void by Sunn O))). You can stick on a pair of headphones and the world ceases to exist.