Brazilian music is famous worldwide — from bossa nova, to choro, to samba.

Bossa is cool, choro is amazing, but my favorite things about samba is that despite being “pop music” it still has complex rhythms and harmonies.

My top favorite thing is the prevalence of the 7 stringed guitar and their use of counterpoints (i.e., parallel melodies).

I love how what (I think) started as guitarists just playing harmonies, turned into them improvising bass lines and counterpoints every once in a while, which eventually became them doing MOSTLY counterpoints and bass lines and barely playing the harmony lmao.

These bass lines and counterpoints, from what I understand, are often times arpeggiations of the chords and so forth, but they add such an amazing effect to the music.

Examples:

  • HelixDab2@lemm.ee
    4·
    5 hours ago

    Progressive metal.

    One of my favorite bands has a song where it sounds like everyone is playing a different time signature simultaneously, and it feels out of time and chaotic… And then snaps into focus perfectly, before breaking up again. (I can’t identify the time signatures, no. I can hear at least two, and I’m pretty sure three. I think the drummer is doing polyrhythms?) You can listen to the same song five times in a row, focusing on a difference part each time, and hear something new each time. Or take Opeth’s “River”; the same same song seems to effortless combine elements of country, blues, 70s rock, NWBHM into something that feels both classic and new. (“New” despite being originally released in 2014.) Or, shit, An Abstract Illusion’s “Woe”; it’s nominally split into 7 tracks, but the lack of breaks between songs means that the whole thing flows into a single piece. Or, or or!, “Castaway Angels” by Leprous; Leprous stretches and strains the definitions of what metal is, and is not. While some of what they do is clearly metal, are they still a metal band?

    The only thing that’s a real constant in progressive metal is that the bands all have impeccable musicianship.