That specific video and song is quite clear on western xenophobia. As well as being an absolute banger from Rammstein.
Are Rammstein secretly based?
Probably an unpopular opinion (since I have never heard any other socialist voicing a similar one) but - No.
A band founded by a man who fled East Germany into the West, that made money off of an accident that killed half a hundred people by naming themselves after it, that made use of nazi aesthetics until they were called out for it and had to backpedal releasing a vaguely leftist song, and that has profited off of real cases of r*pe by writing songs about them, is not and will never be “based”, no matter how many times they hide under the symbols of the GDR.
Source?/gen
Of which claims do you need one?
Edit: Actually nevermind, I will cite them all:
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Richard Kruspe fled from East to West Berlin, and he himself explained the event in an interview with Loudwire. If you think it was justified (or even if the event is true, if you are that skeptic) it’s up to you, but that it happened is undeniable.
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Rammstein named itself after the Ramstein air show disaster of 1988, in which two planes crashed and ended up killing 67 spectators. In fact, and if there is even a trace of doubt left, the band was first named “Rammstein-Flugschau”, which translates to “Rammstein Air Show”. I am the kind of person who thinks no decent socialist would ever name a business venture after such an event, but that depends on how high (or low) you set your bar.
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Rammstein has been making use of nazi imagery since their cover of Depeche Mode’s “Stripped”, in which they use footage from the 1938 German film “Olympia”, filmed by nazi propagandist Leni Riefenstahl. After the accusations began coming in they saw themselves forced 3 years later to release “Links 2 3 4”, a song with vague references to the left that has, unfortunately, managed to convince many (even principled socialists) that they are actual left-wing musicians who have done no wrong.
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The most vile of them all in my opinion: “Wiener Blut”, a song from the album Liebe ist für alle da. The whole song is about the Fritzl case. There’s a wikipedia page explaining the whole deal that I am not even going to link. Feel free to google it yourself, although I would recommend you to only do that in a moment in which you feel like ruining the rest of your day. This basically ends with the same conclusion I finish point 2 with, although with a much worse example.
At the end of the day, Rammstein is a band that, as most of them, exists with the sole purpose of generating money, in this case by attracting attention and outrage by breaking taboos (completely disregarding any thought of why some of those may exist in the first place), even if such causes the further spread of human suffering, which only ends the moment someone touches their wallet. Not to say that a socialist cannot play music and make money with it, but any serious one would know there are some things that are off-bounds if one takes their principles seriously.
Rammstein named itself after the Ramstein air show disaster of 1988, in which two planes crashed and ended up killing 67 spectators
They should name themselves “Erfurt” instead, for the based german catastrophe.
I mean Ramstein air base is a US military base on German soil, and the disaster was at an event celebrating war machines.
The US military initially didn’t allow German emergency services into the base to help. Ambulances and fire trucks were held at the gate for an hour while German civilians burned and died.
The show is a testament to Western military’s disregard for human life. They gathered civilians to celebrate military might, and were more concerned with maintaining security against their own allies than protecting the lives of the people that air base ostensibly exists to protect.
It would be gauche to call the event ‘based’, but an event that deserves to be remembered. And the plain fact of the matter is, if Rammstein weren’t called Rammstein, the Ramstein Air Disaster would not have persisted in public memory for as long as it has.
I’m unsure Rammstein’s intentions were to memorialize the event in the light you propose. The band is after all part (and greatest example) of the Neue Deutsche Härte, which has as a big part of its identity to break taboos and singing about shocking topics in very graphic ways. It’s just shock value, and one they’ve been very famous for until they began toning it down in later years with more recent releases, following the tendency of what is or not acceptable even outside the mainstream morality.
Naming ur band after a disaster on a US military base is based in my book.
??? What do you mean, i called the Erfurt disaster based, not the Rammstein one.
The peak of human history, everything has gone downhill since.
Ugh. People have been telling me I need to check out Rammstein. Looks like I won’t. (I had a friend in school was into that kind of “shock-jock music with vaguely fascist aesthetics” thing, and it was the most obnoxious shit ever).
You aren’t missing much imo.
YouTube links were detected in your comment. Here are links to the same videos on Invidious, which is a YouTube frontend that protects your privacy:
Link 1:
Link 2:
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When half of Rammstein was Feeling B they had some decent songs tho, I really liked “I’m looking for the GDR”
I am not saying they don’t; they have a few songs that I must admit I too find catchy, even under the name of Rammstein. What I’m saying is that they are not the “based and commiepilled” people some think and are, instead, rather a terrible bunch.
Well, all of the members were born and raised in the GDR and they have stated in interviews that they were educated as socialists and politically stand on the left. Even, it seems that their song “Links 2 3 4” is a direct reference to “Einheitsfrontlied” by Brecht.
Yes.
Western Media unsurprisingly shits on them at every opportunity.
Just watch the ‘Deutschland’ music video and decide for yourself if they’re glorifying nazis or saying that nazis were one among many groups through history that exploited the idea of Deutschland for their own ends.
Don’t buy into the mainstream pearl-clutching about them singing about rape and cannibals, and engage with their work on your own terms; decide for yourself if it’s art or cynical outrage farming.
You can also get a lot more insight on what their lyricist Lindemann really thinks in his poetry and solo music.
