The enforcement of copyright law is really simple.

If you were a kid who used Napster in the early 2000s to download the latest album by The Offspring or Destiny’s Child, because you couldn’t afford the CD, then you need to go to court! And potentially face criminal sanctions or punitive damages to the RIAA for each song you download, because you’re an evil pirate! You wouldn’t steal a car! Creators must be paid!

If you created educational videos on YouTube in the 2010s, and featured a video or audio clip, then even if it’s fair use, and even if it’s used to make a legitimate point, you’re getting demonetised. That’s assuming your videos don’t disappear or get shadow banned or your account isn’t shut entirely. Oh, and good luck finding your way through YouTube’s convoluted DMCA process! All creators are equal in deserving pay, but some are more equal than others!

And if you’re a corporation with a market capitalisation of US$1.5 trillion (Google/Alphabet) or US$2.3 billion (Microsoft), then you can freely use everyone’s intellectual property to train your generative AI bots. Suddenly creators don’t deserve to be paid a cent.

Apparently, an individual downloading a single file is like stealing a car. But a trillion-dollar corporation stealing every car is just good business.

@music@fedibb.ml @technology #technology #tech #economics #copyright #ArtificialIntelligence #capitalism #IntellectualProperty @music@lemmy.ml #law #legal #economics

  • Richard Penner@mathstodon.xyz
    6·
    2 years ago

    @ajsadauskas @technology @music@fedibb.ml @music@lemmy.ml

    #Copyright does not protect the concept and themes of artistic presentation. So training autocomplete tools like #ChatGPT or generative art tools along the lines of #StabilityAI on huge amounts of copyrighted material available on the web doesn’t seem to trespass on the rights actually created by copyright law. That is, neither the trained model parameters nor the output qualifies as a infringing copy.

    The fact that big corporations have heated the rhetoric with even small-scale copyright infringement being characterized as if it were an existential threat rather than free marketing perhaps misleads people to think copyright grants the owner total control of the future of their creations. But law is about statutes and precedents, not feelings, which is why big corporations aren’t likely to train their models on billions of copyrighted works if there was a credible risk of paying statutory damages on a per-work basis.

    If there is a moral right to the “something” that has been gifted to these models by their training, it has not been well described, let alone recognized in law as property of the creators. How is this “something” which an AI model steals supposed to be distinguished from the piecewise appreciation for the art as summed over all human viewers?

    So perhaps the real problem is the moral outrage created by the corporations who for decades equate copyright infringement with being ambushed by a gang of seagoing rapists, kidnappers, killers, and robbers (pirates). Towards that end, Germany is discussing adding copyright infringement as a form of “digital violence” making the analogy more exact.

    https://www.techdirt.com/2023/05/05/germany-wants-to-include-copyright-infringement-under-its-planned-digital-violence-law/

    • atomicfurball
      14·
      2 years ago

      Without copyright law, innovation is stifled because nobody can afford to spend time creating.

      • salarua@sopuli.xyzEnglish
        2·
        2 years ago

        i’ve thought about this quite a bit, and i’ve come to a similar conclusion. abolishing copyright wouldn’t do much good if we didn’t also guarantee everything one needs to live to everyone. of course, the artist often doesn’t make enough to live on anyway, but making sure that one’s needs are taken care of would free one from the obligation of having a time-consuming job, and free up time for things one wants to do, like create art. i think abolishing copyright is an inherently leftist cause because of all the other issues that are intertwined with it, like paywalls and earning a living

        • atomicfurballEnglish
          1·
          2 years ago

          The problem is that without copyright all a big company has to do is steal the work of smaller unknown artists and profit from it big time. The smaller artist then has zero recourse to get any money because their avenue for profit is ruined. Copyright allows them to sue the person who stole their work and get the profits from that.

          • salarua@sopuli.xyzEnglish
            1·
            2 years ago

            hence the other issues intertwined with it. if big corpos are going to do that, we must abolish big corpos

            • atomicfurballEnglish
              1·
              2 years ago

              What do you define as a big corporation? And why exactly should we abolish them?

              • salarua@sopuli.xyzEnglish
                1·
                2 years ago

                that’s just my leftie side talking. i’m not inherently opposed to the idea of businesses, since money as a unit of exchange will exist for as long as there is an economic system, but for-profit businesses should be small and relegated to a secondary role in life. there’s a lot of debate around what should be the way that we all get food, water, a home, medical care, etc. (the primary split is people who believe in top-down governmental assistance vs bottom-up peer support networks) but every leftist agrees that the corporations that control our lives should be stamped out.

                i guess a large corporation can be defined roughly as a business where the owners do not run it directly. an important part of leftist thought is the divisions between the working class (or the “proletariat” if you want to get fancy) and the owning class (or the “bourgeoisie”). the working class does all the work, and the owning class merely takes the value that the working class produces. a business that’s large enough to the point where the owners are able to just leave it running and leech money off of it without doing any real work is a large corporation in my book.

                when businesses get that size, they tend to forget their mission and instead focus on only profit. and they’ll do anything to get more profit, like:

                • fuck the environment
                • expose their workers to hazardous conditions to cut corners
                • steal the creative work of individuals and pass it off as their own

                one needs only to look at the Gilded Age for proof of my point. nothing has fundamentally changed between then and now, except that the government is doing things (and even then, not enough).

                a lot of problems we face as a society today are the results of big corporations being big corporations. inflation? shareholders being greedy. climate change? corporations forgoing environment-protecting measures because they would cost something. cost of living crisis? you guessed it — corporations trying to squeeze every bit of money out of the working class. and corporations will keep doing this over and over again. as long as they exist, they will dig the hole deeper and deeper because there might be gold at the bottom.

                unfortunately, nobody can agree on the best way to hurt big corporations, but fortunately there are a lot of options. they range from electing socialists to office so they can exert governmental control over big corporations, to striking, to outright class warfare. unsurprisingly the practicality of all the different options is mixed, and in any case we are nowhere near where we need to be to put any of them into action.

  • Arthur BesseA
    82·
    2 years ago

    yeah, as others have already said, this isn’t how copyright law works: it’s how law in general works.

  • Rev. GothAlice@marrow.haus
    4·
    2 years ago

    @ajsadauskas

    :hides her music library of 197K songs:

    :hides her book library containing the entirety of Project Gutenberg, every StackExchange site, Wikipedia & Books & Wiktionary, 300K textbooks, and archives of Popular Mechanics dating to 1907, amongst other periodicals, plus tens of thousands of comics and graphic novels from three major publishers:

    :points fingers at eyes, then points at the media industries: Come at me brosephs.

    @technology @music@fedibb.ml @music@lemmy.ml @donmelton

    • down daemon
      2·
      2 years ago

      i’ve been making a bugout usb with similar, do you have any tips?

      • Rev. GothAlice@marrow.haus
        2·
        2 years ago

        @downdaemon I’ve recently exported a goodly chunk of it to a 1TB μSD card. Archive.org is a great place to start; that’s where the Popular Mechanics, Encyclopaedia Brittanica, and many of the other publications I’ve collected (e.g. MacAddict) were sourced. Gutenberg via one of their rsync mirrors.

        I’ve built a tag-based—non-hierarchical—primary storage system from several arrays in a redundant arrangement totalling a hair over 50TB, but that is not at all portable. μSD is “go”.