I always loved Tolkien growing up and still have my physical copy of this. Found it in a used book store and it feels magical. The art work is beautiful and imaginative.

Back when I was in middle school, my town flooded and my family lost a lot of their possessions. This is one of the books that survived, so I’ll always remember going over it to distract me from everything else going on.

I’m listening to the Andy Serkis audiobook right now. I agree the first bit is a slog but really enjoying it once Feanor and events get going.

Are you trying the audiobooks? I don’t believe Malazan is a good series for audiobook. Too many scene changes and character swapping. The audiobooks might be better if you’re rereading though.

Phoning in here because this series turned Erikson into one of my fantasy authors. I notice as I skim the comments that most people didn’t like the series. That’s fine and perfectly valid. Erikson is not everyone’s cup of tea.

Why I liked this series:

• Erikson is heavily inspired by Glen Cook, one of my other favorite fantasy authors, who has a similar approach of throwing you in the middle of everything and explaining things slowly as you go along. There’s magic in the series called Warrens. No one explicitly defines it until maybe the 9th book when a king asks a wizard to explain what the hell warrens are. Instead, when you get the POV of a magic user you are learning how they personally feel about their magic, but everyone seems to have their own twist on the Warrens. If you enjoy a fantasy world that gives you all the information up front, this is not one of them. Erikson likes to play with history and unreliable narrators. So you need to take all info presented to you with a grain of salt unless its a god’s POV to someone who was there (and even then, the gods are fickle).

• Erikson takes a lot of inspiration from classic fantasy. Fafhrd and the Grey Mouser. Elric. Conan. If you are familiar with these stories, you might pick up on when he’s paying homage to them, and subverting their ideas.

• Erikson is an archeologist and spent a ton of time developing and muddying the histories of his world. It gives the cultures a verisimilitude that I enjoyed. The cities feel lived in.

• I enjoy Erikson’s prose. He is a short story writer who wrote a 10 book series with short story detail. There are beautiful lines and sequences in this series.

"It was a quirk of blind optimism that held that someone broken could, in time, heal, could reassemble all the pieces and emerge whole, perhaps even stronger for the ordeal. Certainly wiser, for what else could be the reward for suffering? The notion that did not sit well, with anyone, was that one so broken might remain that way - neither dying (and so removing the egregious example of failure from all mortal eyes) nor improving. A ruined soul should not be stubborn, should not cling to what was clearly a miserable existence.

“Friends recoil. Acquaintances drift away. And the one who fell finds a solitary world, a place where no refuge could be found from loneliness when loneliness was the true reward of surviving for ever maimed, for ever weakened. Yet, who would not choose that fate, when the alternative was pity?” - Toll the Hounds

• Every fantasy author writing a series faces a dilemma of how to pace and package their novels. Tolkien wrote the full Lord of the Rings and then ripped out the superfluous chunks to put in the appendices. Robert Jordan’s Wheel of Time has to develop a full cast of characters, but the characters get developed unevenly so while some characters are having their moments other already developed characters are just faffing around waiting for the next book. Erikson’s solution is to write 10 loosely connected books that share themes and usually characters between them. You’ll meet characters, wonder if they’re the main characters, then not see them for a few books. The Malazan Book of the Fallen has many protagonists. Almost every book works as a stand alone novel with its pacing and development. The one exception is the ninth book, Dust of Dreams, because its really just the first part of the last book, The Crippled God, but the final book was too long and got cut in half. Dust of Dreams felt weird to me because it didn’t have a nice ribbon tying off the end of the conflict like the prior books did. Since each book is kind of stand alone, Erikson can experiment with the pacing and presentation so each book feels like its own animal with unique themes that still relate to the overall story. The downside to this is that its very often to to read one book, get interested in that continent, and then the next book switches to another continent with its own cast.

• Malazan has some of my favorite fantasy characters. Over the course of 10 books, you see a lot of plot lines and characters grow and mature. For example, the fourth book, House of Chains, is controversial because it starts with the POV of a young cocky shit who is cruel and hurts others (he’s a deconstruction of Conan the Barbarian). I started the book hating him, by the end of the series he was my favorite character.

• There are some metal ideas floating around these novels.

• No one writes a climax like Erikson. The plot lines converge, characters come together, and the results are decisive. The series climax in the final book is worth the build up.

Caveats: Besides the stuff I mentioned in what I liked that might have turned you off.

• The series is long. It took me two years to read it all in one go, though I didn’t read every book back to back. I usually would read other books between each Malazan novel as a palate cleanser. I took an emotional break after the second book, Chain of Dogs, that lasted five years because I got distracted by other series, and by the time I returned to the series I couldn’t remember the first two books so I just reread them. If you factor the first attempt in, it took me 7 years to read this series.
• I found these books to be a high cognitive load. There’s a lot of themes and events juggling around hundreds of characters, and there are some things you won’t understand until later books. This has the added bonus that if you like the series enough to reread, there’s a lot of things to pick up on that you missed the first time. I could not listen to this series as an audiobook on the first read.
• This is dark fantasy. Erikson pulls some horrific events from human history for us to ruminate on. Love, friendship, and hope are major themes of the novels, but they come attached to all the awful things we humans do to each other. Many of these characters are soldiers, so there is a lot of violence. The second book has children getting crucified. Sexual assault happens throughout the series, and the ninth book, Dust of Dreams, has the most horrific rape I’ve ever read in a novel. I think Erikson is respectful and does not trivialize sexual violence. What makes that scene so uniquely horrific is it involves the complicity and cruelty of an entire tribe against one of their own. If you want a series without rape, this is not for you.
• The first novel, Gardens of the Moon, was Erikson’s first novel. So it has first novel growing pains. I agree with others that it is one of the weaker novels of the series, but it is also a microcosm of all of Erikson’s themes with disparate groups of characters converging in one epic climax. I think it has some of the worst pacing of the series, but it still introduces essential knowledge and characters. Some readers might recommend reading the second book, Deadhouse Gates, first, but I disagree. Even Deadhouse Gates has enough characters and relation to Gardens of the Moon that you’ll be needlessly confused about some of the plot points. If you’re not sure about the series, give Gardens of the Moon a try. If you find the novel entertaining, keep going through the series. If you hate the core of the novel’s being, stop. You probably won’t like the series.
• Erikson developed this world as part of a roleplaying game with his friend and co-author, Esslemont. Esslemont has written companion series which are not a part of this humble bundle. This means that there are some intriguing plot points and characters that just disappear from the 10 books making up the Malazan Book of the Fallen. That usually means they ended up in an Esslemont novel, which work as companion pieces to Erikson’s works. I enjoy Esslemont’s novels, but I think Erikson is the stronger writer.

Yeah I’ve got the first Revelation Space book waiting for me to open it up, there’s just so much out there to read.

If we are talking sci fi dystopias, I’d say Altered Carbon and its sequels are compelling. Skip the Netflix show. We both seem to like military sci fi, and that series has that aspect in spades.

If you haven’t read Gibson’s stuff after Neuromancer, you might like that too.

His writing is very male

Lol his writing is very phallic? I think I know what you mean.

So can any fans of those books make a good sales pitch?

It depicts a “socialist” dystopia turning into the ideal libertarian dystopia. Not only does it fail the philosiphical sniff test, its just a bad novel with poor pacing. The climax is a character giving a long ~60 page(??? Read it a long time ago) speech that deflates whatever momentum the story had.

Kayel means Neuromancer, not Necromancer. Don’t want you to fall down the wrong rabbit hole.

Also I stand behind all of their points. Neuromancer is cool because its the grand daddy of cyberpunk and predicts stuff like the modern internet and what’s starting to seem like our megacorps.

Forever War is one of my favorite sci fi novels of all time. Very influential military theme that seems like a counterpoint to Starship Troopers.

Everything by Dan Abnett is great. He’s the best writer employed by Games Workshop. If you don’t know much about 40k, his Eisenhorn series is fun. A decent stand alone novel is Double Eagle which is a dark sci fi story modeled after WW2 dogfights. Even the “good guys” in 40k are aggressively dystopian.

Reynolds and Hamilton are on my to read list but haven’t gotten there. Do you guys recommend anywhere to start with them?

I’m slowly reading them now, and its my first experience with them. Damn they’re philosophical. And Elric is a sad boy

The Ebon Hawk is so homey and comfortable. It felt like my own Millennium Falcon.

The Laconian vessels are so eery and weird that I don’t have a strong mental image of them. Might as well be pixelated.

Maybe because the show never depicted them.

There are several of us!

Sounds interesting. What’s the series about?

The authors of the book are on the writing staff and saw the show as a chance to redo parts of the story. I think that quality shows

Just started Persepolis Rising from The Expanse and really enjoying it so far. The series decided to do a 30 year time skip, so I’m still processing a lot of changes.

Also rereading Dune with a friend.

I read The Three-Body Problem years ago and never got to the sequels, so I’m probably going to reread it at some indeterminate time.

I love Weird fiction. Unfortunately I haven’t gotten to any of Mieville’s stuff yet, but Perdido Street Station is already on my to read list. One weird fiction writer I found in a bunch of Beneath Ceaseless Skies issues is Adam Callaway, but I have no idea what happened to him. He seems to have disappeared from the internet.

Biopunk I don’t think I’ve read anything of. But I do like Peter Watts.

That sounds really positive. I’ll have to check those other books out

All of their old issues are posted free on their website, so that’s been enough for me

Solarpunk I have a real hard time conceptualizing. Maybe because there’s less “punk” here than cyberpunk. The only thing I’ve read out of all those is Murderbot and those are some fun novellas. A few of those other books are on my to read pile.

What would you say makes something solarpunk? Murderbot definitely has an anti-establishment thing going for it with Murderbot hacking its governor module to do its own thing, so I can see the punk in there at least.

Do you listen to that album while reading? I can only read with lyric-less background music.

And that is one trippy cover.