Both of them are pretty often annoyed about how their characters (and most of the others) were stuck on a writing treadmill to obey that absurd syndication demand of an eternal moment, such that new viewers can drop in without feeling like they’ve missed anything.

If there’s anything about the modern streaming media format that’s a genuine improvement over previous TV network programming, it’s this. Writers are no longer forced to maintain a permanent “status quo” for a show, because anybody who wants to can always go back & rewatch old episodes, or just start at the beginning & catch up with the rest of the audience.