• Tygr@lemmy.world
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    1 year ago

    I’ve been “striking” for a long time now, against junk TV in general. There’s an occasional awesome show that delivers but 95% of it is low-effort junk TV like dating, survival, cooking and other shows like it.

    I haven’t had live TV in years and it’s quite shocking to see what the average user deals with. Junk TV + ads that play 30% of the time is absolutely insane.

    • HeartyBeast@kbin.social
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      low-effort junk TV like dating, survival, cooking and other shows like it.

      … in other words, exactly the shows that don’t use actors or writers

        • reev@sh.itjust.works
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          I don’t know how other companies work, but I work at a company that produces a lot of reality TV shows. They definitely have writers that will lead the direction that the shows take (for example challenge ideas for a dating show or maybe bow they deliver hints to a blind customer cooking show) and they’ll have some leading questions in interviews (or even asking to phrase things for more drama if the contestants want to and they usually say yes) but you’d be surprised at how unscripted the ones we produce are.

    • blivet@kbin.social
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      I haven’t had live TV in years and it’s quite shocking to see what the average user deals with. Junk TV + ads that play 30% of the time is absolutely insane.

      Yeah, I’ve had the same experience. We don’t have live TV, and when we occasionally hang out with friends or family who do I’m always flabbergasted at the frequency and length of ad breaks nowadays, and similarly amazed that despite a nearly endless list of channels there never seems to be anything I actively want to watch.

      • leapingleopard@lemmy.world
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        1 year ago

        I can’t believe the people that allow commercials to blare in their living rooms without diving for the remote control like the house is on fire. Is it just me? and they just continue normal conversation like it’s somehow possible to hear them.

        • lumcos@lemmy.one
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          1 year ago

          diving for the remote control like the house is on fire

          lol this is me, it’s not just you 😂

          Our house is generally on the quieter side. Partly because some of us are on the spectrum, and partly because we like to actually hear each other when we converse. Haven’t paid for TV in years, don’t miss it.

      • grue@lemmy.world
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        1 year ago

        My parents still have cable TV (I just got them a Roku not long ago, so fingers crossed…), and at this point I can’t stand to watch it for more than about one and a half commercial breaks. It’s hard to believe anybody willingly subjects themselves to that trash when ad-free alternatives are available.

      • timetraveller@lemmy.world
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        1 year ago

        I had one of them first TiVos, then upgraded to them expanded versions modes online for 1TB of shows. The 30-second skip button pressed six(6) times would effectively (skip) the ads. Never looked back. When I see or hear a commercial at someone’s house it rocks me like I’m in a different dimension and time.

        • FlashMobOfOne@lemmy.world
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          1 year ago

          Personally I rarely watch TV in real time, so the only time of year I ever really see commercials is during the NFL season.

      • AbidanYre@lemmy.world
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        Bruce was talking about it 30 years ago when we had 57 channels and nothin’ on. It’s only gotten worse since then.

    • mmagod@lemmy.world
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      1 year ago

      lol only 30%?

      jokes but i agree… i remember going to visit some relatives and sat and watched tv with them… i too was so shocked at how they’d sit idly thru commercials jarring into their show, slapping them in the face…

      i can’t stand it. just about anything i watch, when i watch, is commercial free

      • MyNameIsIgglePiggle@sh.itjust.works
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        1 year ago

        I think they get that from most half hour shows are 22 minutes and hour shows only 42 minutes.

        But if course networks have been known to cut them back even further to squeeze some more ads in

      • Tygr@lemmy.world
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        1 year ago

        Yeah. I’ll watch an occasional Gordon Ramsay here and there. I’m more referring to the baking shows, kids cooking shows and similar. But you know what I mean, replace all variants of cooking with the many variants of home improvement, how many do we need?

        • JJROKCZ@lemmy.world
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          Yea there are simply too many, they’ve flooded the airways with a lot of garbage instead of a small amount of quality that reruns

    • cantstopthesignal@sh.itjust.works
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      Even the most high effort shows have so much useless digression and pointless characters that are developed and killed off in a single episode.

    • Dojan@lemmy.world
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      Yeah! I’m sick of it. Not only do they want infinite money but also infinite growth.

      Literally like a cancer. Feasting on society until nothing is left.

    • vimdiesel@lemmy.world
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      You wanna get really mad? A new practice they were trying to pull off was bring in some young good looking actors; do 3d body scans, record a bunch of voice data, and then have them allow the studios a perpetual license to use their likeness for a few thousand bucks. How evil is that?

      • lohrun@fediverse.boo
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        It’s only a matter of time for desperate people to sell their likeness to a company doing that. If there was a company out there saying they’d pay you $3k to do a full body 3d scan, record 1 hour of voice lines, and own the rights to your image…do you know how many people would do that? (Probably a significant amount)

        Evil and awful yes, but people are desperate for cash in this economy and most people wouldn’t truly understand what they are giving up to the company

        • vlad@lemmy.sdf.org
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          At this point they should just pay OpenAI to AI generate their “actors”

    • jimmyjoners@lemmy.world
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      1 year ago

      This. I want more strikes. I’m tired of everything going to shit and the masses sit back and do nothing. I’ve gone to a few protests recently, and honestly it’s cheap therapy for me. Feels nice to actually DO something.

      • kklusz@lemmy.world
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        And what have you actually accomplished with marching and shouting? I went to quite a few BLM protests back in 2020, got tear gassed and shit along with my friends, and yet still haven’t seen anything meaningful change.

        • CeruleanRuin@lemmy.one
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          Change is slowwwww, my brother. It’s rare that an actual upheaval happens and things shift noticably overnight.

          It is and always has been a long, long struggle, and there is no final victory, only temporary triumphs that must be vigorously defended, because the enemy will never stop trying to take back every inch.

          • lohrun@fediverse.boo
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            Change doesn’t have to be slow and we don’t need to make more excuses for the people able to make the change. Protests outside of the US have shown how to accelerate change in the direction they want. At this point though, it appears that a lot of people have given up hope that anything will change

            • CeruleanRuin@lemmy.one
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              And can you blame them? The opposition infrastructure is so incredibly overbuilt that it’s like trying to chip away at a wall when they keep taking away your tools.

    • CyPhD@lemmy.world
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      I think it’s even more goddamn nefarious than just destroying the planet for wealth - if some of the shit I’ve been reading is right, then AI has changed the game and this strike is our fucking chance to get ahead of the shit that these studios want to pull. In what world is it okay to pay an actor a single day’s worth of work and retain their likeness in pepertuiry using AI generation.

      I’ll admit that I’m not very knowledge on the whole workings of the AI part of it, but I do feel like every actor should have full control over their likeness and how it should be recorded and how it is applied to AI.

      • MBM@lemmings.world
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        From what I heard it’s not even new technology but from ~2016, they’re just trying to push it through again but now under the guise of AI

      • vimdiesel@lemmy.world
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        1 year ago

        The 1% would murder us all and replace us with AI if given the chance, never forget that. They’d be too stupid to realize that the AI bots would take them out next.

  • ThinlySlicedGlizzy@lemmy.world
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    I don’t care how fast AI can pump out “high quality content” because I refuse to consume any of it. I really hope the strikes are successful.

    • DreamButt@lemmy.world
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      honestly we need legislation that protects artists who use their art as a means to live

    • RidcullyTheBrown@lemmy.world
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      If it is high quality, why do you care how it was produced?

      But it’s not the high quality content that’s threatened by AI, it’s the mediocre gargabe. It’s the endless stream of poor quality TV shows and movies which are produced not as art, but as a means of steady predictibile income for the companies involved. That’s the industry aspect of the business. This side of the business consumes most of the talent in the industry. They all know it’s not good and they all hope they will get the funding to actually work on the things they know will be high quality. I think AI will allow them to do that.

      Further more, this strike is not just about AI. I think this aspect is the one media outlets care most about and gets reported on more. The entertainment industry has suffered a major shift with streaming platforms and the movement of money from production studios to streaming platforms has left the employees behind. They’re getting less money from streaming platforms but still do the same work. That’s what the strike is about. The industry didn’t care for them when it changed.

      • R51@lemmy.world
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        To answer your question about quality: it matters because it’s not real. The act of producing something of quality is what makes us better people. It ties into motivation to be better. Computers automating repetition doesn’t hinder that (as much, it does affect learning curves). The notion that computers be used for an output that would normally require creativity is just throwing away the essense of creation, the end product is not the only thing that benefits us. There’s no objective to why it was created, an AI writing something that evokes emotion is a party trick. All it really does is promote consumption and demoralize innovation, and ironically it hides behind innovation as the end-goal of the project. It’s just dead. One of the most beautiful things within creating something of value is the very process of creating it, having the passion and desire to do so, and the will to bring it into existence. AI is a cursed attempt at trying to replicate this process, and by lifting that kind of burden from a human inhuman.

        • MelonTheMan@lemmy.world
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          I agree with you when it comes to AI in its current form - I wouldn’t even call it a party trick, just dumb luck. Machine learning through repetition will use existing ideas and tropes.

          However you can provide the model with unique ideas, new tropes, characters, environments, and settings. The model in its current form could generate something nearly usable (script wise) and still be a valid piece of art with some cleaning up. Just because you save time doesn’t make an idea less “good”

          In the future we could have near sentient AI that generates actual pieces of art far faster and better than a person can.

        • dimlo@lemmy.world
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          i refuse to believe AI can replace totally of the human part in the industry. Yeah some of the weak actors will be pushed out as they are not doing the job good enough, but it’s inevitable that one day technology is advanced that AI can actually replace human workforce. Like car manufacturing industry that have massive machines to assemble car parts, but also there are things only human can do. We don’t need crappy scriptwriters writing rubbish soap opera that my 10 year old daughter can write because they are no more generic than a AI churn out script. It’s like hiring a typewriter operator in 2023. Or rubbish actors that are like reading their script out with minimal effort and skills. It does not make sense.

          • dustyData@lemmy.world
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            1 year ago

            typewriter operator in 2023

            There’s this people called stenographers who are paid quite well, they can write hundreds of words per minute and essentially transcribe a conversation in real time. They are hired by courts to create records of the sessions, by journalists, parliaments and to transcribe subtitles for audiovisual media. They use this cool typewriter like machine called a stenotype that was invented in 1880. The thing is, they tried to replace them with speech recognition computers. They discovered they needed a human to sanitize input for the computer, essentially a person who can speak really fast and really mechanically, repeating what others said in the room, or what was said in the movie or whatever, into an oxygen-mask-like sound proof microphone. So, they still had to pay someone to be there. Many places decided they could just pay the stenographer and receive higher quality products despite the slightly higher costs. Then YouTube tried to use machine learning to auto-create closed captions. Before that they used a community contribution approach that depended on volunteers to take some time to transcribe the subs. That change to automation was such a fiasco that some big YouTube channels now advertise that they pay an actual company with humans to do the closed captions for their videos in the name of proper quality accessibility. Because automated closed caption tends to do interesting stuff and it’s even worse when they try to throw auto-translation into the mix.

            The point is, people tend to not understand technology and how it relates to humans, specially techbros and techies who have the most skewed biases towards tech and little sociological understanding. Nothing can be accurately predicted in that realm, and most relations that result from the appearance of new technology are usually paradoxical to common sense.

        • RidcullyTheBrown@lemmy.world
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          There’s no objective to why it was created, an AI writing something that evokes emotion is a party trick.

          Then it’s not valuable. The question still stands: if something is truly valuable, does it matter how it was created? You are not answering this question, you are simply pointing out why AI in your opinion cannot produce art. My question is a bit “tongue in cheek”, of course. It cannot be truly answered without a specific example of creation. I’m asking it to prove a point: we’re dismissing something we don’t understand.

          All it really does is promote consumption and demoralize innovation

          I’d argue that this is what Hollywood already does. And as you rightly argued through your comment, it brings little artistic or creative value.

          • kmkz_ninja@lemmy.world
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            To me, it’s the same feeling as the teachers that wouldn’t accept papers written on a computer (after an age where we know how to write) because “it’s less honest”.

            I’m not good at drawing. I would love to try to make a game. Anti-AI luddites are happy that I will never produce something because I am incabable of doing something that an AI could easily accomplish.

      • Loom In Essence@lemmy.world
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        I’m looking for an interaction with the artists. I do not care what an AI produces… and I don’t care what a marketing team or boardroom of producers produces. I’m looking for an artist’s vision.

        • Rodeo@lemmy.ca
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          I’m looking for an interaction with the artists.

          How exactly are you interacting with them while sitting on your couch looking at a screen?

          This is an appeal to purity argument. You’ve invented some higher standard (that doesn’t really even make sense) with the purpose of excluding the thing you don’t like.

          • Loom In Essence@lemmy.world
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            The audience responds en masse by tuning in, paying up, being changed, perpetuating the ideas back into the culture through the filter of their own personality, chatting about the thing, praising or criticizing the artist.

            This is an appeal to purity argument. You’ve invented some higher standard

            Nope. It has absolutely nothing to do with “purity.” It has to do with humans doing the ancient human thing of making art. Dancing, singing, telling stories. You’re bringing in the abstraction of purity.

            Hollywood (in its crudest aspect) is already an AI algorithm for churning out trash. That’s why I tune out already. Because it is not humans telling each other stories. It is pure corporate manipulation. More AI in the hands of producer-goons just means more corporate manipulation and less humans telling each other stories.

            AI in the hands of an artist is a tool for exploring and creating. AI in the hands of corporate goons is the total opposite.

            • kmkz_ninja@lemmy.world
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              That it’s an entirely subjective experience and to presume that someone’s enjoyment of it means that a human had to be involved in It’s creation is such a ridiculous response.

              Have you ever seen the paintings that one chimpanzee made? They’re actually pretty nice in composition. Am I allowed to like the way they look even if no human made them?

              • pinkdrunkenelephants@lemm.ee
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                So long as it’s not a glorified machine learning program designed to commit mass fraud and copyright infringement, then yes. Until then, go cry harder.

                • kmkz_ninja@lemmy.world
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                  I’m going to think back to people like you in 15 years and smile at how naive you were.

      • Knusper@feddit.de
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        If it is high quality, why do you care how it was produced?

        To me, this is comparable to fiction vs. non-fiction.

        Personally, I do already find fiction less engaging, because there’s nothing romantic about these stories. With which I’m not referring to a love story, I mean that there’s no sense of wonder of what lead to these events. It happened that way, because a writer wrote it that way.

        And yet, the one thing still tying fiction to reality is the writer. You can still wonder what life experiences they’ve made to tell this story and how they’re telling it.
        Our current narrow AIs don’t make life experiences, so you lose even that strand of meaning.

      • kmkz_ninja@lemmy.world
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        But why? I feel like people are twisting their arguments against AI. Or they are being twisted against.

        Why does an actor care where there lines come from? We live in a world where The Room was written and released, but AI content is going to be the end of media? People aren’t that special. Our thoights aren’t that special. We don’t have souls. We’re just thinking machines, and nothing we create is more unique than something that we created creates.

        • nickwitha_k (he/him)@lemmy.sdf.org
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          But why? …

          Because this is about enshitification of life for studio exec profits. It’s not really about where a machine can or should be a part of creative works, but HOW they are being used.

          Nearly very industry in which LLMs are being used in the latest hype wave, it’s not being used to improve anything but concentration of wealth in the hands of a dwindling number of individuals by worsening product quality and real ability of any of humanity, outside of those of hereditary wealth, to be get by.

    • vimdiesel@lemmy.world
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      I hope there is some kind of “label” that comes out of this like the Surgeon General’s cigarette warning. “This movie is 87% AI generated” so I won’t have to bother thinking about whether to skip it. Fuck lazy & greedy movie makers. They’d giveup their immortal soul for $3.50

    • Victor Gnarly@lemmy.world
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      I do too hope the strikes are successful. That said, you’ve likely already been consuming generative technology for some time now. Disney alone has nearly a decade of research into it already. Advanced VFX applications use all sorts of generative tech too. When I was working in LA we referenced public data all the time. I know it’s gotten a huge spotlight on it given private AI capitalizing/evangelizing it all but the very real threat of digital scabs taking people’s jobs is what needs the biggest spotlight right now. I do think the tables will turn if nothing good can come out of Hollywood and those artists begin weaponizing that same tech against the execs. I see what studios are doing as no different than impersonation & identity theft by using this tech to limit working hours to skirt union protections.

    • JeffCraig@citizensgaming.com
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      There are many issues besides AI stuff that are causing this strike.

      Yes, with the quick emergence of AI in all industries, we do need strong workers rights agreements and laws to address it, but AI isn’t really the primary issue.

      People pick positions in these arguments that are too stringent and not realistic. There will be places where AI is useful in this industry. The union just needs to make sure AI isn’t abused in order to completely replace certain types of laborers.

    • TheCraiggers@lemmy.world
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      because I refuse to consume any of it

      I guarantee you already have and didn’t notice.

      There’s a philosophical argument to be made for sure, and I’d probably even agree with you. But the reality is that the technology is here, and it’ll be used in pursuit of the almighty buck.

      • pinkdrunkenelephants@lemm.ee
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        That’s what makes it especially insidious. We want entertainment made by people, for people, not by AIs for corporations and their pockets.

        • kmkz_ninja@lemmy.world
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          I’m fine with AI content. It’s going to make making media so much easier for people who aren’t inherently artistic but have a vision they want to show.

          • Loom In Essence@lemmy.world
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            There are already teams of humans ready to do all that stuff. AI adds nothing there. The non-artistic person with a vision can already collaborate with skilled artists.

            But more importantly, we are not worried about artists using AI as a tool. We are worried about corporate goons using AI to fire all creative staff and generate manipulative trash.

            • Kale@lemmy.zip
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              The first company that debuts an entirely AI film will be a game changer, since it’s training set will be all the greats/popular films from Godfather, Taxi Driver, Jurassic Park, Star Wars, Inglorious Bastards, and Parasite.

              Then everyone will want to get in on the game and we’ll see a huge number of AI films. To be noticable and unique, a certain amount of hallucinating will be allowed. After a couple more years, you’ll see model collapse as the film AIs are now using other AI output as their training input.

              AI systems need a steady “diet” of human created material to continue to create material that is relevant and interesting to humans.

              Robert Evans has a great episode on “behind the bastards” about AI and children’s books. The majority of Kindle published children’s books and coloring books are AI generated. There are Kindle books on how to make hundreds of AI children’s books a month using AI tools, including how to write the prompt for the AI input.

            • kmkz_ninja@lemmy.world
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              Okay so instead of me just working on a fun product for free in my own time, I have to pay someone a fair wage as if this is a commercial product I’m producing?

              There’s several people in this thread arguing we should outright ban the use, instead of coming up with ways to protect artists without artificially limiting AI.

              • Loom In Essence@lemmy.world
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                I have to pay someone a fair wage as if this is a commercial product I’m producing?

                There’s several people in this thread arguing we should outright ban the use,

                I didn’t see anyone ITT making that argument, and anyway this whole debate is specifically and explicitly about hollywood goons using AI to churn out trash without paying the talent. It’s not about some broke artist using AI to bring his vision to life. As I already said. It’s beyond straw man to treat that as the position that’s being criticized

        • Rikudou_Sage@lemmings.world
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          Yeah, we need human writers! I don’t think AI can turn great books into shitty movies as well as actual writers. AI scripts sound like a real gain, IMO.

          • pinkdrunkenelephants@lemm.ee
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            Questions for everybody else:

            1. Who actually thinks like this?

            2. Why are big Lemmy instances allowing obvious shills to concern troll and forum slide on their servers?

            • Rikudou_Sage@lemmings.world
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              Well, for one, I think like this. And given the upvote, at least one other person does as well. And six others disagree. Which is fine with me, by the way, people can disagree and be civilized about it.

              As for “obvious shills and trolls” - just because I like the technology and dislike current writers, I’m a troll? With thinking like this you should perhaps go live in a totalitarian state, cause that’s how they roll - “you’re either with us or you’re bad”.

              Can you pretty please let me have my opinion?

              • Loom In Essence@lemmy.world
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                Why do you expect AI to write better scripts than “current writers”? Do you believe than humans are incapable of good writing, and we need AI to finally make the first good art to ever exist?

                • Rikudou_Sage@lemmings.world
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                  Not first good art, no, there are many great movies. It’s usually when people who are famous enough to do whatever are the directors (Tarantino, Nolan). But the usual crap? All the unimaginative movies and TV shows? Botching good books by not understanding the source material at all? That’s most of the writers and that’s who I think should be replaced by AI. We were doing a presentation on capabilities of AI recently and one sentence my colleague came up with sums it up: AI is not some super smart thing, it’s like millions of average people who can think really fast.

  • vimdiesel@lemmy.world
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    This is the best possible outcome. No one wants that AI generated shit while actors and behind the scenes people make starvation wages.

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    Fuck hollywood.

    This would be good opportunity for people to start new film studios and such, founded on more equal profit sharing. Let greedy pieces of shit shrivel and die without labor to exploit. There is no negotiating with those kinds of people as they will just try to find ways to force and manipulate people to do what they want.

    • Aux@lemmy.world
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      It’s ironic that Hollywood was created by filmmakers and actors who got tired of being exploited by investors and cinemas alike.

        • Idea1407a@lemmy.world
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          “Money makes the world go around…”

          “Greed is good”

          Making money is fine, but at what cost?

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            People dislike a greedy business.
            Start a humble competing business.
            Greedy business falls in line or fails.
            Competing business now free to push profits, becoming greedy business.
            People dislike a greedy business.

            • randon31415@lemmy.world
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              People dislike a greedy business. Start a humble competing business. Greedy business lowers prices to crush competition, or buys it outright. People continue to dislike a greedy business.

    • river@lemmy.world
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      Charlie Chaplin did a similar thing - United Artists. Then it got sold to MGM. and so on

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      It’s also worth noting that many of the “indie” production companies are backed by billionaire money. For example, Annapurna (movies: Her, Zero Dark Thirty, American Hustle, games: Journey, Stray, Kentucky Route Zero, Outer Wilds) was founded by Megan Ellison, the daughter of Larry Ellison of Oracle software, worth about $150 billion.

      Indian Paintbrush, the production company that has financed all of Wes Anderson’s movies since 2007, is run by Steven Rales, CEO of Danaher, worth $7.3 billion.

      It’s not just production or indie firms either - CAA (Creative Artists Agency) talent agency that represents people like Tom Hanks, Steven Spielberg, The Weeknd, Bob Dylan, Aubrey Plaza, Bradley Cooper, Cardi B, Chris (Evans, Hemsworth and Pine), Salma Hayek and thousands of writers, producers and directors, is currently in final talks to be purchased by Francois-Henri Pinaul, who owns Gucci, Balenciaga, Girard-Perregaux and Christie’s auction house, is married to Salma Hayek, and is worth about $33 billion.

  • Clown_Tempura@lemmy.world
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    Wow it’s almost like people’s tolerance for ruthless exploitation isn’t infinite. Hollywood’s disgusting parasitic grifters can get fucked.

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    What’s it going to take to actually do something about these ultra-rich leeches literally destroying our planet and everything good on it to inflate a number in a bank somewhere? How do we actually build up the initiative to stop it?

    All our other problems seem largely centered around our inability to appropriately respond to extreme greed. Not only in actually actively stopping it, but in even identifying it or being able to properly censure it in the first place. The moment you start talking about the rich being the cause of our problems, there’s a section of society that starts tuning you out. I definitely feel like as things get worse people are starting to catch on, but even once we’re there, where do we go?

    If we actually get to the point of agreeing that excessive wealth is inherently misanthropic and should be a crime in and of itself, how do we make it a crime while so much power sits in the hands of those who’d be on the losing end of that decision?

    I hope the WGA and SAG can spark a change in people’s consciousness around labor. I’d honestly love to see a lot more interviews and independent podcasts coming from the picket lines. If there’s anyone who can convince Americans to fight for the value of their labor, it’s the people write and play the parts in the stories they love.

    • assassin_aragorn@lemmy.world
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      I want to add on some quick math. Some people will look at this and scoff, saying that actors are millionaires and are more similar to these billionaire leeches than to us. A billion isn’t a number you can easily wrap your head around – I have trouble putting it into the correct perspective and scale, and I’m an engineer. It’s really difficult. So to try and show exactly how much money we’re talking here, I’m going to use time:

      • 35k seconds, 9.7 hours
      • 70k seconds, 19.4 hours
      • 100k seconds, 1.16 days
      • 250k seconds, 2.9 days
      • 1m seconds, 11.6 days
      • 10m seconds, 115.7 days
      • 100m seconds, 3.2 years
      • 1b seconds, 31.7 years

      I haven’t even lived for 1 billion seconds yet, and I’m 28! Even an actor who’s racked up $100m over a successful career is closer to $0 than they are to $1b. Now arguably I’d say $100m is at the point where it needs to be treated similarly to $1b, but even so. The average working adult is closer to an actor in terms of wealth than these disgusting hoarders.

      In reality, every dollar isn’t equal, and what this analysis doesn’t take into account is the amount leftover after all necessities are paid for, which is the reason why someone making $35k is not living like a millionaire. The point here is, a billion is incredibly big. It’s unfathomable. Unless the person protesting is a billionaire, they’re on your side against the leeches and absurdly wealthy.

      (I suspect this is why actors tend liberal and billionaires tend conservative.)

    • jkure2@lemmy.world
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      What’s it going to take to do something about these ultra rich assholes

      Let’s be honest the only answer is [redacted], they effectively own the government in the US and it’s not much better in Europe

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        Not all revolutions require blood, but I feel like capitalism is going to fight real hard to stay around. Even though that’s exactly what needs to go

      • TrenchcoatFullOfBats@belfry.rip
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        But what are we going to DO about the 5–12 feet tall, blood-drinking, shape-shifting reptilian humanoids from the Alpha Draconis?

    • ConTheLibrarian@lemmy.world
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      We need enough people to agree on both a vehicle and a direction.

      • There are a lot of people dissatisfied with the current government(s) but don’t agree how to create change; be it through the current system, major modifications to the current system, or even more severe changes.

      • There are a lot of people who don’t want wide spread poverty/suffering, but don’t agree on how that problem should be dealt with; be it through universal income, massive public projects, or wealth taxation and better competition regulations.

      IMO we need a new digital/decentralized/open-source/transparent ‘social media platform’ that can replace the current easily manipulated electoral systems.

      We need ideas & policies to be independently actionable from the partisan politics that afaic specifically exist to mitigate change and maintain the influence of money in policy.

      • Mayoman68@lemmy.world
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        Not sure if this is directly applicable but there’s the concept of dual power, where you can organize a bottom up power structure that takes some power from the regular government without needing to either submit to it or outright overthrow it. With that said it has only ever been successful in cases where the government is incredibly unstable to begin with.

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        I agree that that we do need something like a collective action platform so people can coordinate much better than they currently do. Also something that you didn’t directly mention but I think you imply is that there doesn’t need to be complete agreement before action is taken because there are alot of valid disagreements on how to move forward but there are also alot of agreements as well that are ignored in public conversation because we take those points as a default.

        I’ve been working on something similar to this on my own time (which you can see in my post history) but honestly we won’t move forward if we don’t actively start working together properly.

    • knivesandchives@lemmy.ca
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      That’s a really good question. Part of the problem, of course, is that the game is rigged: consider how difficult it is to buy food that doesn’t feed the Nestle war chest.

      As a society, I think there are moves in the right direction - I just stumbled across something called Community Wealth Building, which is very cool, for example.

      But as a private individual? That’s harder. I’d love it if there were an Amazon equivalent out there that sourced exclusively from worker owned co-ops, or at least unionized businesses, but as it is, I’m coming up dry…

    • SCB@lemmy.world
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      The moment you start talking about the rich being the cause of our problems, there’s a section of society that starts tuning you out.

      That’s because this is an insane claim.

      If we actually get to the point of agreeing that excessive wealth is inherently misanthropic and should be a crime in and of itself

      This is a massive “If.” I could probably never be convinced that one person’s wealth is inherently detrimental to someone else’s well-being.

      These are very extreme views. I support the Hollywood strike, my buddy is a union leader (as were both my parents), and I’m a reliably Democrat voter, and I couldn’t disagree more with what you’ve said above.

      • 33KK@lemmy.blahaj.zone
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        The thing is, you can’t get that rich by playing fair, it’s only possible at the expense of others. And I can assure you, most rich people are activelty making our lives worse.

              • 33KK@lemmy.blahaj.zone
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                Anticonsumer, anticompetitive practices, corruption and lobbying in their own interest, propaganda, tax evasion…

                • SCB@lemmy.world
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                  I lobbied in my own interest not 15 minutes ago, as part of Citizens Climate Lobby. Just got off a zoom meeting with my rep. Lobbying is not inherently bad.

                  Can you prove tax evasion? That’s a serious crime.

                  Also, shameless plug - consider joining your local chapter of CCL! Took me 5 minutes to sign up and all meetings have been via zoom.

                  https://citizensclimatelobby.org/

      • Rodeo@lemmy.ca
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        That’s because this is an insane claim.

        Consider that they have the power to massively improve everyone’s lives but are choosing not to.

        Perhaps they didn’t personally cause and create some of those problems, but they are still the only ones with the power to make the necessary changes, so the continuation of those problems is indeed their doing.

        • SCB@lemmy.world
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          In what way does the logistics revolution spurred by Amazon’s growth not massively benefit every person who buys anything in the US? You’re seriously suggesting with a straight face, that Microsoft hasn’t saved literally hundreds of millions of lives just in database tech alone?

          You’re talking out of your ass here man. Hell, you’re putting billionaires on par with running a government which is simply absurd.

          It’s not on rich people to save the fucking world, though Bill Gates has personally done more for the world than most governments ever have. It’s on voters to pass policies that provide them better lives. That’s the point of democracy

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            Are you serious lmao

            You think billionaires have no influence on government? Please

            • SCB@lemmy.world
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              I think you don’t understand how government functions in any real way at all

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    If you still have the bird app or some other method, send your support of solidarity to your favorite actors. They will definitely appreciate it.

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    I’m glad more and more workers are realizing the power they have over the industries they’re working in.

    Without the workers, the businesses have nothing. We really need to have a serious revolution before they replace all jobs with AI robots.

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    Is $25,000 per annum a living wage LA? To think that these are getting so little is nuts.

    • ivemadeamoostake@lemmy.ca
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      Good question! I looked up the poverty line in LA specifically. And here are the results:

      Persons in Family Household - ​Poverty Guideline (annually): 1 person - $​14,580 / 2 persons - $19,720 / 3 persons - $24,860

      This is a very quick look for an answer. I don’t fully understand the results.

      The long and short of it is $25,000/year is over the poverty line for a single person household but barely over the poverty line for a 2 person household. It is the poverty line for a household of 3 or more people.

      It is unclear how this factors in housing, and if it includes owning property and renting. A 3 person household is generally considered to be two adults and a child or dependant. Livable, depends on what you considered livable. If owning a house and starting a family is part of having a libable life, I would say they are probably not earning a livable wage.

      Source: Californial Department of Public Health https://www.cdph.ca.gov/Programs/CID/DOA/Pages/OA_ADAP_Federal_Poverty_Guideline_Chart.aspx

      Edit formatting

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    I honestly don’t know how I feel. Most content feels like ‘consume our product/content and give us monthly fee’ instead of nice shows and movies. Everything seems to have a point where it pulls me out and I find myself questioning if I’m crazy or if everything feels like shit.

    There are some amazing gems, but for years it feels like Hollywood has cared less and less about making cool and engaging media and are instead of focusing on manipulating people.

    I’m sure the problem is coming from the top, but writers and actors have been pretty shit too

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      I’m interested to see how Hollywood evolves post strike. Hoping that this will allow Writers and Actors more agency when making their products rather than having to conform to whatever shitty money grubbing practices that the Execs usually force on them

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        Oh boy at this point most of them are just fighting for their jobs, not even worried about actually making the work they want to be. If thats the kind of change you want to see in Hollywood, its gotta come from the consumer.

        • 5in1k@lemm.ee
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          Hopefully the number of bombs this year is the message the consumer needed to send.

      • Victor Gnarly@lemmy.world
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        Gonna offer my two cents as someone who entered the industry during the last writer’s strike. You’ll see some interesting creative divergence as said creatives crave expression and reach out to new venues like YouTube for the first time. It was one of many changes to the industry at that (and now this) time. I use generative tech because it’s part of this exploration of the taboo. Back then, YouTube was the taboo because it was effectively working for free and with no insurance or protection by comparison to a stable studio gig. Take away the studio gig, anything and everything could be opportunity for change and especially so the longer this goes on tbf.

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        This is one of the reasons why I strongly believe that if you want to do any kind of art and are passionate for it, you should never make your income depend on it. It’s why even though I’ve studied Masters in game development and was always passionate about games, I work as a Red Teamer in cybersecurity instead, and then work on my games as a hobby.

        And especially if we’re talking about games, where you can just get a regular IT job as a programmer that pays more than you will ever make (assuming you don’t get to work on a AAA project, but the you basically have zero agency about the game and are still just a code monkey), the best course of action (which I regret not doing, but my classmate did and is a lot better for it) is to just take advantage of the fact that IT pays comfortably, but instead of just making more money just work parttime for a “regular” pay, and use the free time for your projects.

        But every time an art becomes business, it will inevitably suffer for it. There are rare cases of small indie studios getting lucky to be able to uphold their vision and still earn enough to afford paying their employees comfortably, but sooner or later you get into a point where you just have to start considering stuff around marketing that’s totally unrelated to the art in itself, but usually forces you to compromise your vision

        I’m actually pretty glad that generative AIs will probably really soon replace most of the artists required for mass production of such big budget commercial titles - because then the only option of someone who wants to do that kind of art will be a smaller indie studio or a hobby project, which may not be as successful and will probably end up as a niche, but it will also mean that a lot less artists end up with their passion sucked out and destroyed by execs forcing them to do shitty generic money grubbing stuff - because that will be done by AIs, and keep on being as generic as it is now.

    • Jordan_the_hutt@lemmy.world
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      I think that’s in part due to nepotism. It seems like everyone who’s successfully in entertainment is the child or grandchild of someone else who was successful in entertainment. The same is true for the music industry and its starting to become true in the AAA gaming industry.

      When people start to get those jobs because of their family connections rather than their ability everything goes downhill. The most obvious example outside of entertainment is politics.

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        You’re worried about the 1%, this is about the 99% behind the scenes, doing supporting roles, building sets, etc . Don’t let movie execs take your eyes off the prize, that’s what they want.

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      I’ve barely even noticed this writers strike because I’ve hardly even bothered to watch any new Hollywood movies or TV shows in literally years. Everything I have seen recently has been complete garbage. So I find myself watching older shows again and again, more YouTube content, educational and history stuff like that…heck, I’ve been following some modern film critics like Red Letter Media and just watch their commentary vs the real thing, and it’s usually much more entertaining.

      I think Hollywood is going to use this opportunity to replace the writers with AI. If it works great, if it doesn’t work, nobody will notice or care.

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        I subscribed to Britbox and find the writing and acting of much higher quality. Plus, the stories are generally more interesting with more feeling. I mainly watch that, watchTCM, and certain YouTube channels.

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        Other than the nightly shows, you won’t be seeing the impacts of these strikes for months. Films and shows take a lot of time to go from inception to finished product. For movies I wouldn’t be surprised if the impact doesn’t happen until next year.

        • evatronic@lemm.ee
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          To wit – we’re just now, seeing the tail-end of a lot of the COVID-19 shutdowns percolate up through the delayed releases and shortened seasons for a bunch of shows, and most of those shutdowns were gosh, almost 2 years ago now.