Anyway, Alien: Romulus is the seventh film about these particular monsters. According to the producers, the film takes the franchise ‘back to its roots’. So we get a group of grimy crew-mates piloting a big rust-bucket of a spaceship who pick up an extraterrestrial stowaway and end up having to use their wits and courage to survive as it gobbles them up, one by one.
And it’s not a bad film. It’s nicely creepy, the special effects are good, the acting is perfectly serviceable. In fact, I could give you a normal review of Alien: Romulus, but just writing this is making me feel a little crazy. It’s not a bad film, but it’s also a direct copy of a much better film that already exists. That film is called Alien, and it came out in 1979. It had Sigourney Weaver in it. It hasn’t vanished. If you have a Disney+ subscription or a torrent client, you can watch it tonight. Why have we made it again? What’s the point? Why have we spent the past 45 years – which is longer than I’ve been alive – making seven different versions of the same film? What on Earth is going on?
Remember when they made Son of Frankenstein? A sequel to a sequel to a loosely adapted book back in 1939? Then went ahead and made another half dozen including Abbot and Costello meet Frankenstein?
This has always been the case with studios. They want to play it safe and make money.
If you want original contact, do what has always needed to be done, support independent artists.
The Sprinkler Sprinkled was released in 1896 and remade in 1897.