• nilloc@discuss.tchncs.de
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      6 months ago

      Carter built houses for 4 decades after his presidency mismanaged the Iran hostages, energy crisis, and 70s inflation (though I’m not sure he deserves credit for the last one).

      Bush is eating playing with paint and hiding from his mismanagement of the 9/11 attacks and subsequent unrelated war he started.

      • Viking_Hippie@lemmy.world
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        6 months ago

        his presidency mismanaged the Iran hostages

        That was mainly the Reagan campaign paying the terrorists to hold the hostages until Reagan could take credit.

        (though I’m not sure he deserves credit for the last one)

        He doesn’t deserve the blame for either of them. He’s one of if not THE most slandered US president in history.

  • Viking_Hippie@lemmy.world
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    6 months ago

    Dubya did a reverse Hitler:

    He committed countless war crimes and other atrocities, the effects of which will be painfully felt by hundreds of millions of people for the rest of their lives. Then he started painting.

  • FlashMobOfOne@lemmy.world
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    6 months ago

    He’s actually a very good painter.

    Too bad he didn’t pursue an art career and opted to destroy the world instead. Having been born independently wealthy, he could have made it in the art world easily.

    • Hector@lemmy.ca
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      6 months ago

      This reminds me of someone else who didnt get to pursue a career in arts and instead tried to destroy the world.

  • Murvel@lemm.ee
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    6 months ago

    Yet another I wish stuck to art instead of going into politics!

  • Cruxifux@feddit.nl
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    6 months ago

    I remember seeing that that’s what he’s doing now and this is like… the saddest example of injustice

  • geneva_convenience
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    6 months ago

    George W. Bush Institute, will be featured as part of Disney’s enduring admiration for those who serve in the U.S. Armed Forces and veterans

    Damn America goes hard on propaganda.

  • ChowJeeBai@lemmy.world
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    6 months ago

    Ngl. That picture looks more like a guy trying his best not to look like he doesn’t know what he’s doing, than a seasoned painter mixing his oils.

    • gregorum@lemm.ee
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      6 months ago

      Le Demoiselle de Avignon may be a revolting exploitation and sexist display by a renowned, womanizing misogynist, but it’s also a fantastic example of form, style, cubism, an illustration of the shift from art nouveau to art deco, and, frankly, a celebration of the female form. I’ve even heard it argued that it empowers sex workers, although I’ve also heard some fierce debate about that.

      My point is that, when exercising the nuanced discretion of “separating the art from the artist”, the “art” in question should, at least, be of sufficient redeeming value to consider overriding the distaste for the artist in order to consider the value of the art, especially when considering the overall contributions to art (on the general sense) made by the artist in question (nobody reasonable would dare question Picasso’s contributions to the art world, for example, despite home being a contemptible person).

      W. Bush, on the other hand, is no Picasso— and even Picasso, the shitbag he was, was no war criminal. And he certainly hated fascists.

      • The only thing I would disagree with in this take would be who are you to judge what is and isn’t of sufficient redeeming value to override to state of the artist? I would argue that art by definition is subjective and as such making any objective arguments or claims to discredit an artwork simply due to its creator is therefore invalid.

        • livus@kbin.social
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          6 months ago

          Seems to me @gregorum is talking about Demoiselles d’Avignon’s impact on art a a whole. It was a very influential painting.

          Bush on the other hand is only notable because of who painted it. It’s a common naive realism style.

        • gregorum@lemm.ee
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          6 months ago

          I’m not judging anything. What I’m saying is that works must be judged for their redeeming value in toto against the actions the deeds of the artist. Ie, one must be judged in balance against the other, not simply one or the other in a vacuum.

          I’m trying to express my standard for judgement, not making a judgement myself.

          • Hmm its an interesting take. I tend to take the approach of evaluating the frameworks individually and and comparing to other artworks based on each framework itself. Obviously the artist themselves are one framework for which you must evaluate but I think trying to compare that to other frames as apposed to other artist themselves is an exercise of the subjective.

            • gregorum@lemm.ee
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              6 months ago

              The artist isn’t a framework. An artist creates a framework, from which they must eventually be separated (in your wording).

              So, once an artist is prolific enough to establish (as you put it) a “framework”, then one can separate the judgement of the “framework” form the individual artist themselves.

              Does that make sense?

              Edit: if not, maybe I can clarify further

              • Any perspective is a framework I would consider the artist to be a perspective (framework) through which you can view said artwork. You are a framework I’m a framework an artist is a framework it inherently creates subjectivity.

                I’m well aware its usually not considered a framework in its own right and often lumped in with contextual or maybe historical but when making a division between the frameworks I find it a useful division to make.

    • MissJinx@lemmy.world
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      6 months ago

      I was wandering that too. Art is art. I can apreciate without voting dor it

      • PrinceWith999Enemies@lemmy.world
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        6 months ago

        I’m not going to say it’s not “art,” but this is basically the level of sophistication that parents get from their kid to hang in their diner. If this was actually painted by anyone who wasn’t the ex-president, it wouldn’t be noticed by anyone, much less exhibited.

          • PrinceWith999Enemies@lemmy.world
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            6 months ago

            I didn’t say “hang it on my fridge,” I said “hang it in my restaurant.” It’s not like a five year old, but it’s like a high school student. You can look at his paintings online and see how he developed over time.

            I’m not discrediting it - I’m saying it doesn’t have great vision, great technique, or innovation. He’s been doing this for ten years, and he is still at the level of “That’s great! Keep practicing!”

            It’s fine though. Painting is a great hobby. I don’t have a problem with him painting, and I don’t have a problem if his political loyalists want to imbue them with some value. I read a fun article from about a decade ago intentionally overanalyzing his shower-selfie painting.

            What I am saying is that there is nothing special about his paintings except the fact that he’s the one who painted them. I’m not comparing W to Hitler, but Hitler’s paintings were also pretty bad, and the only reason why anyone looks at them today is because they were painted by Hitler.

          • MissJinx@lemmy.world
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            6 months ago

            Thats was my point exactly. Michael Jackson has a lot of good music, Kevin Spacey’s Keyser Söze is an amazing character… You can and I think should separate man from art.

            • PrinceWith999Enemies@lemmy.world
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              6 months ago

              I have no idea where the disconnect is. I don’t care that the paintings are by W, I’m pointing out that they’re amateurish and that if they weren’t by W they wouldn’t be exhibited. It has zero to do with my artistic judgement being informed by knowing the artist.

              I don’t actually listen to MJ very often, although I do enjoy his music and appreciate his contributions to both music and dance. I do tend to avoid work by people like Weinstein, Spacey, and Joanne Rowling because I would prefer not to contribute even incrementally to their income or the perception of public support.

              But in particular, as someone who does not believe in free will, I don’t believe in the idea of culpability. I believe that if you physically recreated W’s brain in perfect detail and put it into someone else, you’d get the exact same outputs to the exact same inputs. Even if you want to include some kind of randomness from quantum effects, that doesn’t make for free will, it’s just randomness. That’s the opposite of free will.

              So although it might be a natural reaction from me to hate W or Trump or Hitler, I try to remind myself that it’s all neurophysiology and neurochemistry (plus other aspects of physiology) as informed by factors such as learning and genetics.I can pretty much guarantee that, were we to do neuroimaging on Trump’s brain, we’d find a hypertrophic amygdala and a hypotrophic prefrontal cortex. Simplifying a bit, you can think of those as the primitive fear center and the rational consideration parts of the brain. No one with that kind of neuroanatomy is going to behave in a rational and controlled manner, especially under stress.

              I might hate the harm they cause and want to prevent it, but there’s no “self” inside of them for me to hate.

        • MissJinx@lemmy.world
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          6 months ago

          Agree but art is subjective. He is a nepo baby to begin with, and a white straight rich man, so does he have more oportunity for exposure?! For sure! But again that does not devalue art. Maybe for someone this is good enough, idk

          • PrinceWith999Enemies@lemmy.world
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            6 months ago

            To be clear, I explicitly stated that I wasn’t saying it’s not art. It is art, and I am all for people embracing their creativity. I think more people should be painting/sculpting/playing music/etc., especially in retirement. What I’m saying is that as much as someone might get a kick out of playing Wonderwall doesn’t mean they should be getting a public concert at Epcot.

            Although if I was in the neighborhood I’d probably pay $15 to see Dick Cheney play a self-taught version of Wonderwall if he was also singing.

      • gregorum@lemm.ee
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        6 months ago

        Thank goodness you’re not in such a position.

        Incidentally, what is your qualification for judging the value of art? Where did you get your PhD in Art History?