https://www.reddit.com/r/modernart/comments/1bpaiae/shoot_um_moma_what_is_this/
Rothko’s Untitled. I don’t like abstract expressionism but he’s probably the technical height of it from how much work actually went into that.
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Here is the true way to judge abstract minimalist art:
“I could do that” – Well you fucking didn’t.
“I literally did do that, tons of people did that before the artist ever did, but if any of them had rolled up to an art seller with this they’d be told to pound sand up their ass. This is on display because the artist is connected to a cartel of money laundering capital owners” – You might be spittin.
art seller, I am going into battle, and need your most abstract paintings.
Close the thread and delete all other comments. We’re done here.
nailed itthe original Not Fucking Talented
In 1958, Mark Rothko was offered his first-ever commission—a series of murals to be placed in New York’s famed Four Seasons restaurant, for which he would have been paid $35,000. Known as the Seagram Murals because they were to appear in the historic Seagram Building, the paintings he created are rendered in dark red tones, with barely visible orangeish forms that appear to hover over dark red backgrounds. Eventually, however, the commission fell through when Rothko and his wife dined at the restaurant and found himself disgusted with the prices of the dishes on offer. “Anybody who will eat that kind of food for those kind of prices will never look at a painting of mine,” he once said.
That was pretty based at the very least. $35,000 in 1958 is like $375,000 in today’s money, for reference.
“Anybody who will eat that kind of food for those kind of prices will never look at a painting of mine,” he once said.
Wait, I’m not quite sure if I quite get what he’s trying to say? Did he mean to say that rich porkies that eat at pretentious fancy restaurants would be so stupid and tasteless that they would never look up from their overpriced food to enjoy the nice paintings on restaurant walls, or that he doesn’t want any ultra-rich porkies to see his art? Or a combination of both? The first reason doesn’t seem to make complete sense to me; isn’t one of the benefits of being mega-rich off of countless exploited workers that sometimes (and in any case, much more often than the exploited workers) you choose to spend your nearly endless free time learning to appreciate fine art? Is he saying bad taste in food is directly correlated with bad taste in visual art? Did he just hate tasteless rich people, or rich people in general?
Actually, this makes me wonder what abstract expressionists as a movement thought about the relationship between their art and their rich patrons, and whether their art reflected this in any way. I mean, was Rothko’s disgust here the exception, or a widely held sentiment among his peers? The topic seems to me to be unavoidable to anyone with half a working or artistic brain; especially if, as I assume, most artists begin as starving students/apprentices/newcomers and later in their career get offered insane sums of money for their work.
So from what I can gather, I’m pretty sure he simply didn’t know what The Four Seasons was beforehand. Then he went there and saw it was a bourgeois restaurant for rich businessmen and took his paintings back and refunded the money.
Within the context that he was a self described anarchist (in opposition to the USSR, but still leftist). His family were migrants from Tsarist Russia and he did graduate from Yale on a scholarship.
I think the fact that the pieces he made were donated to galleries helps reinforce the idea that he didn’t like bourgeoisie but didn’t really have a materialist understanding of why.
Wow, I didn’t know Rothko was a self-professed anarchist. I guess that and the fact that he later donated the pieces to galleries indicate that his guiding principle was egalitarianism (everyone should be able to enjoy art, not just rich assholes) rather than elitism (only people with real taste would appreciate my genius). A really nice sentiment, but possibly a bit idealist (now rich assholes in charge of the Tate Modern get to benefit from and control public access to his art).
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One of my favorite paintings I’ve ever seen in person is completely blue. But it’s a strange, translucent blue that was accomplished by carefully applying dozens of slightly tinted layers. Your eyes don’t really register the canvas as a surface when looking at it; it’s more like a portal into the blue dimension or something.
It’s in a free gallery. I really ought to go back someday and stare at it some more.
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A lot of this kind of art that people mock online have a completely different effect when you see it in person. Pollock paintings where that for me; easy to mock as a teenager seeing them on a computer screen, but breathtaking when you’re standing in front of them.
If they made that exact painting (instead of Rothko) and walked into whatever gallery that is looking to sell it or even just put it on display, they’d get turned away.
Sure, but because it’s now a 55 year-old idea. If I plagiarise a book written in 1969 and submit it to a publisher they’d also reject it. If you submit a genuinely new idea to an avant-garde gallery then you wouldn’t be turned away.
That’s why I said instead of Rothko.
That’s true, but he’s saying that 99.9% of people living in 1969 would also have been tuned away
they’d put it up if the CIA was paying for it
fuck the cia fuck all their artists and fuck defending this garbage.
For decades in art circles it was either a rumour or a joke, but now it is confirmed as a fact. The Central Intelligence Agency used American modern art - including the works of such artists as Jackson Pollock, Robert Motherwell, Willem de Kooning and Mark Rothko - as a weapon in the Cold War. In the manner of a Renaissance prince - except that it acted secretly - the CIA fostered and promoted American Abstract Expressionist painting around the world for more than 20 years.
https://www.independent.co.uk/news/world/modern-art-was-cia-weapon-1578808.html
It’s really funny whenever this is brought up. Like okay, the cia tried pushing a bunch of dumb art styles. Who cares? What effect did they have on society? Some big canvas with a black square on it has done 0 damage on the world compared to the countless war and crime movies normalizing brutalization against the “undesirables.”
Oh boo hoo some asshole laundered his money with a Picasso. Who gives a shit. They launder much more through shell companies and tax loopholes. Stop crying. I don’t see you deleting your social media and touching grass since the feds invented the internet and infiltrate everything.
Or better yet, if you seethe over dumb abstract art because MUH CIA!!! then I better see you seething over jazz music and punk rock for being devil imperialist music since they diverted from the norms
uh i’m not here to rag on the cia for crimes against culture, i’m here to rag on the “art community” being so up their own ass that they lost the ability to summarily dismiss worthless meaningless garbage for being worthless meaningless garbage. bringing up the cia part of it is to discredit the “movement”.
Or better yet, if you seethe over dumb abstract art because MUH CIA!!! then I better see you seething over jazz music and punk rock for being devil imperialist music since they diverted from the norms
Most Abstract art is literally just a niche for rich people. No one cares about it beyond some millionaires. You don’t hear the end about the classical painters because that’s what society has declared to be Good Art. The “discourse” surrounding abstract, avant-garde crap is just between people who sip wine all day whose opinions are virtually worthless and silly, but what’s even more Silly is getting your pants in a knot over some imaginary movement and “defense” no one cares about
Most Abstract art is literally just a niche for rich people.
i considered and then declined to edit my previous comment to add something about the absurdity of comparing the bougiest bourgeois art with jazz and punk.
getting your pants in a knot over some imaginary movement and “defense” no one cares about
art heads defend it and try to legitimize it. there are comments on this post complaining about allegedly reactionary left pushback against the bullshit.
also that’s “movement” in the art movement sense, not like, the peoples front of whatever
Again, “art heads” is just some random niche group. Society doesn’t care about abstract, modern art and it’s often the butt of jokes for most people. Getting upset because some guy thinks abstract art is “real art” because you think it’s “meaningless” is pointless because you’re just acting like it’s some widespread phenomenon. I hate most modern art but I don’t think that’s a reactionary stance unlike literally getting upset over a picture of a square because it’s “not real art”
i spend approximately zero minutes of my life thinking about it outside of a day or two every few years when someone else brings it up. the rest is just refusing to come to bed because someone is wrong on the internet ¯\_(ツ)_/¯
You don’t hear the end about the classical painters because that’s what society has declared to be Good Art.
What you think is “society” was actually art traders and rich people from hundreds of years ago, as opposed to less than a hundred years ago. Doesn’t mean that the works and the artists should be dismissed because of the material conditions of the time, but rather taken into account when appreciating said art.
The person im replying to suggests the need to “push back” against a supposed “movement” or mass defense of abstract art. I’m not trashing on traditional art, just saying that it “pushing back” against abstract art is entirely pointless because society doesn’t care about it enough for it be meaningful in any way.
The incident like twenty years ago where someone discovered a “lost” Pollock painting and there were heated arguments between historians over whether it was a fake was so funny to me. I don’t have any background in art history myself so take this with a grain of salt, but when I looked at it I saw a bunch of paint splotches, which leads me to believe it was authentic.
yeah i have no idea how you could “verify” an unprovenanced pollock
You can do analysis of the materials and the techniques and try to pinpoint it on the timeline or his career. From what I gather, it’s a subjective practice which uses objective instruments.
According to the article you linked, the artists weren’t aware that the CIA was using them
They weren’t aware, that’s correct. I cannot fucking stand the online reactionary stance on modern art I see from leftists; abstract expressionism was promoted by the west strictly because it was the opposite of the official Soviet line on art, which was socialist realism, not because of the ideological content of the art itself. It’s beyond intellectually lazy to be opposed to abstract art because of that.
Standing in front of a Mark Rothko painting was almost a fucking spiritual experience for me, not because of the capitalist messages hidden inside but because of the depth of color and texture that fills the perception
Standing in front of a Mark Rothko painting was almost a fucking spiritual experience for me, not because of the capitalist messages hidden inside but because of the depth of color and texture that fills the perception
It’s not a hard sentence to understand. I guess this is your first time encountering someone who likes art that you don’t like
there’s different tastes and then there’s what you said. I don’t like coffee, but it’s comprehensible to me that someone would.
have you ever tried DMT?
no, but if I took it and looked at some garbage and felt something i’d attribute it to the drug, not the object.
New tagline dropped
Isn’t it also largely because the early CIA/OSS was populated largely by Ivy Leaguers, with the associated cultural norms and biases?
Thinking that because the CIA did something it was smart and effective, they do a tonneau of dumb silly shit thst goes no where.
Reinventing the concept of d*generate art but making it leftist this time
Edit: Slur filter broke the wikipedia link. But you can find it if you search “d*generate art”
having your work promoted because the cia likes it doesn’t seem enough different to me than the cia commissioning stuff.
didnt they also fund writers and “show don’t tell” came from the cia?
the key word in “American Abstract Expressionist” is American, the content was unimportant beyond ‘not explicitly pro-soviet’. Abstract art is not reactionary or garbage
They’ll whine about Rothko, and not the dude who just prints out wikipedia articles? Or that they’ve put almost every single Apple device into their collection?
no those sound real dumb too. maybe the apple shit belongs in an “industrial design fads” exhibit.
Who wants to bet the OP would soyface over AI slop that takes no human effort to shit out?
at least the output of generative models usually looks like something. you could tell one to make abstract art and get something that looks more interesting and has the same effort to some of the shit upheld by art snobs.
Moma at one point had a whole gallery of default-sized canvases painted black called “untitled”.
I wonder if anyone’s counting the number of individual pieces that have been displayed in art museums where the very clever thing the artist did was to not do anything
shitposting at its most pretentious
labor theory of value applies to works of art, no?
