The New York Times sues OpenAI and Microsoft for copyright infringement | CNN Business
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The New York Times has sued OpenAI and Microsoft for copyright infringement, alleging that the companies’ artificial intelligence technology illegally copied millions of Times articles to train ChatGPT and other services to provide people with information – technology that now competes with the Times.

The New York Times sues OpenAI and Microsoft for copyright infringement::The New York Times has sued OpenAI and Microsoft for copyright infringement, alleging that the companies’ artificial intelligence technology illegally copied millions of Times articles to train ChatGPT and other services to provide people with information – technology that now competes with the Times.

  • maegul (he/they)English
    1·
    1 year ago

    Yea. Legal opinions vary and legal scholars can have problems, sometimes massive, with what courts and legislators end up doing. “Legal side of things”, in quotes, was intended to convey a cynicism/critique of the idea, belief or even desire some might have (not saying you) for the law to be “settled” and clear.

    • kromem@lemmy.worldEnglish
      2·
      1 year ago

      Ah, well if you want the Columbia Journalism Review has a good summary of the developments and links to various other opinions, particularly in the following paragraph:

      According to a recent analysis by Alex Reisner in The Atlantic, the fair-use argument for AI generally rests on two claims: that generative-AI tools do not replicate the books they’ve been trained on but instead produce new works, and that those new works “do not hurt the commercial market for the originals.” Jason Schultz, the director of the Technology Law and Policy Clinic at New York University, told Reisner that there is a strong argument that OpenAI’s work meets both of these criteria. Elsewhere, Sy Damle, a former general counsel at the US Copyright Office, told a House subcommittee earlier this year that he believes the use of copyrighted work for AI training is categorically fair (though another former counsel from the same agency disagreed). And Mike Masnick of Techdirt has argued that the legality of the original material is irrelevant. If a musician were inspired to create new music after hearing pirated songs, Masnick asks, would that mean that the new songs infringe copyright?

      (Most of those opinions are linked)