I didn’t read this series when I was a kid, but I finally got around to reading Roger Zelazny’s Chronicles of Amber.
Given it’s an older series, I wasn’t sure how much I’d like it (some of those older series age horribly), but it was actually REALLY good still, and the few minor things that’d aged too much wouldn’t be hard to update for a modern audience.
But the concept of Amber is fantastic, Corwin’s behavior and arc perfect, and I think a TV series could do it justice nowadays. Man, some CGI artists could do some beautiful work depicting a hellride through shadow.
I also would really, really love to see Anne McCaffrey’s Dragonriders of Pern adapted…but there’s a few parts that have aged pretty badly, so it’d need careful handling of things like Lessa and F’lar’s relationship and such. And maybe, you know, keep Jaxom the hell away from Corana.
But I think the whole idea of threadfall, and Impressing dragons, could be done beautifully on the screen. I think a run from Dragonflight to All The Weyrs of Pern (including the Harper Hall Trilogy) could be done. (Then leave the later books out, they don’t really add much, lol.)
The series would need a top-notch composer scoring it, though. I’d vote for Natalie Holt. She did wonderfully with Loki, and it’d be a nice touch having a woman score the series that’d have the Harper Hall Trilogy included in it.
No one has mentioned The Culture?
There really wouldn’t be much to update because a good chunk of it is still modern. Not only that, but Banks really fucked with gender, ideology, and civil rights in a way that is still incredibly relevant in 2023.
I also really want someone to try to portray Fwi-Song from Consider Phlebas.
I came looking for The Culture. Those are such great stories.
THE CHAIR!
Use of Weapons was definitely one of the best of that style I’ve ever read.
I don’t think it would work well as a movie, but I think it would make for a great miniseries with converging chronologies.
Man, I’ve been stuck in this place where I really want to read those books (somehow I missed them), but I write SFF too and have some near-future thoughts that I don’t want to get tangled up with his stuff. (Part of the reason I went back and read the Chronicles of Amber was to keep my mind away from modern SFF while I work on projects.)
Some day I think I’ll just have to give in and read it and my own stuff is too close to his…oh well. I feel like I’d enjoy his work based on what everyone says about it.
Oh don’t worry, The Culture is anything but near-future. Some concepts are so out there that they border surreal existentialist philosophy.
And some are set in the past! A large period of time is covered.
I think that it is an influence worth risking.
The settings themselves vary wildly, and technically the books occur before, during, and after the present. The level of technology varies wildly.
The one thing in common is the examination of the content of the character of the “human” being, and how we are the same or different, adapt or don’t, expand or hide.
It’s truly masterful work that, yes has cool gizmos and concepts but worries more about how the gizmos make you feel.
PoG would make a good movie or TV show. Imagine Denis V putting Dune level effort into a movie adaptation of it. UoW would easily translate to TV and unlike most Culture novels, wouldn’t require that much CG budget.