‘It’s too powerful a technology’

  • Blake [he/him]@feddit.uk
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    1 year ago

    Oh boy, Travis Worthington comes off as such a selfish asshole in this interview. Paraphrased, and being a bit unfair to him, he just kind of says, “oh, we know fine well that we are benefiting from stealing art from others, and I’d really like if you believed that I cared about that, but the reality is that I don’t really give a shit, and if you’re an illustrator, just give up on your dreams of getting a job someday, because I certainly won’t be paying you”

    Definitely gonna be avoiding indie games studios from now on.

    • VoterFrog@kbin.social
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      1 year ago

      Frankly, it’s an absurd question. Has Polygon obtained consent from all of the artists for the works used by its own human artists as inspiration or reference? Of course not. To claim that any use of an image to train or influence a human user is stealing is to warp the definition of the word beyond any recognition. Copyright doesn’t give you exclusive ownership over broad thematic elements of your work because, if it did, there’d be no such thing as an art trend.

      Then what’s the studio having its name dragged through the mud for? For using a computer to speed up development? Is that a standard that Polygon wants to live up to as well?

      • teawrecks@sopuli.xyz
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        1 year ago

        Totally agree, but where the line is, I think, is that companies want free lunch: they want to leverage a mind-like thing (either a human brain or a trained AI) that has internalized a ton off content that it can use to generate new content from, but they don’t ever want to pay them or treat them like a living being.

        If these AI models ever become advanced enough that people actually consider them to be alive or conscious or something, suddenly the tables will turn, and companies will be fighting against their ethical treatment. It will basically be another, much more philosophically difficult, slavery debate, and we all know which side the corporations will be on.

        Or maybe it’s simply a false equivalence we all need to accept. Maybe creativity can exist independent from a conscious brain, or maybe it’s just a vulnerability in human consciousness to look at these stochastic arrangements of data and say “that looks inspired”.

        Either way, in 300 years our progenitors will look back at us and think, “wow, I can’t believe they thought that was ok. Clearly it was just a different time.”

        • VoterFrog@kbin.social
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          they want to leverage a mind-like thing (either a human brain or a trained AI) that has internalized a ton off content that it can use to generate new content from, but they don’t ever want to pay them or treat them like a living being.

          That’s anybody, really. Everything you’ve ever accomplished has depended upon the insights and knowledge of countless other people who never saw a dime from you for it. That’s part of living in a society and it’s a crucial part of how it advances.

          Or maybe it’s simply a false equivalence we all need to accept. Maybe creativity can exist independent from a conscious brain, or maybe it’s just a vulnerability in human consciousness to look at these stochastic arrangements of data and say “that looks inspired”.

          I think that most of the value we get from creativity isn’t from the mechanics of creating something. And I think that by removing the mechanical barrier, we unlock that value much more widely across humanity. Art is a form of communication. Will we ever feel the same connection when that communication comes wholesale from an AI? I don’t know. But we’re certainly not there yet.

          • teawrecks@sopuli.xyz
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            1 year ago

            That’s anybody, really. Everything you’ve ever accomplished has depended upon the insights and knowledge of countless other people who never saw a dime from you for it. That’s part of living in a society and it’s a crucial part of how it advances.

            Yes, that is why I phrased it as I did.

            I agree that art is a form of communication, but it’s also a source of inspiration regardless of the artist’s intent. A person can derive meaning that the artist never intended. So I wouldn’t say art is totally a subset of communication.

            most of the value we get from creativity isn’t from the mechanics of creating something

            This part I would disagree with. I think 99.999% of all art is created solely for the creator’s benefit. The other 0.00001% of art is hanging on display in museums, etc. In the case of creating music, the playing of the instrument is very important to the fulfillment of most musicians. And learning the mechanics of painting, or sculpting, etc., is where I think most of the value of most art comes from. The mechanism of creating art IS the act of communication; it’s channeling thoughts and feelings into something tangible. You likely had an art class in school, not because they wanted you to create something you could sell, or to learn a skill that was going to pay the bills, but because the act of creating art is fulfilling to the creator.

            I think this is part of why Sand Mandalas are destroyed after they are finished being created. It’s not the existence of the piece that is important, it was the creation of it.

        • Syrup@lemmy.cafe
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          1 year ago

          A bit of a quibble, but I think it’s a stretch to say that current-gen AI is mind-like. I’m of the opinion that, given the way current AI works, there isn’t any “creativity” in how midjourney/etc. generates images. Though you could make a solid argument for a detailed prompt being creative, or for a functional/algorithmic AI being a creative tool of the coder, in neither case would I say that the source of the creativity is the computer.

          Then again, legal definitions would only allow creativity to come from humans, but I think other animal species are currently capable of creativity/art, in the sense of “do they do actions for purposes other than survival or reproduction.”

          • sandriver@beehaw.org
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            1 year ago

            Yeah, the thing with neural nets is they’re neuron-like. Saying they’re mind-like is like trying to say your visual or auditory cortices have consciousness. Intelligence, sure; but that’s a low bar. Single-celled organisms have cognitions about the environment. So do plants. They’re both intelligent, in the same way that a lot of the low level machinery in your brain is intelligent, the same way that neuron-like software and hardware is intelligent.

            Just another example of hierarchies embedded in capitalism. Artists have no rights, humanities are disdained; but big businesses that treat people as “resources” and “consumers” are privileged.

            • Syrup@lemmy.cafe
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              1 year ago

              Absolutely. The problem isn’t the technology, it’s how it’s incorporated into capitalism.

          • potterman28wxcv@beehaw.org
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            1 year ago

            Absolutely. Just yesterday I tried asking stable diffusion to draw me “An elephant and a monkey dance while two cheetahs drink punch. The elephant and monkey look very happy. The cheetahs look bored.”

            It drew me two elephants with monkey hair and two cheetahs. No punch, no dance.

            If what you ask is somewhere in the bank of images it will draw it. But if what you ask is a situation the AI has never encountered before in any image, it will fail to invent it.

            If all artists used AI we would be stuck on a loop of content that is not novel. Years from now we would stop seeing amazing incredible art. There would be no evolution at all in the styles.

            I am glad that there are artists who continue to draw without AI even if it must be hard for them.

          • teawrecks@sopuli.xyz
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            1 year ago

            Can you think of a better term? I tried to clarify by saying, “thing that has internalized a ton of content that it can use to generate new content from”, but there’s not a succinct term for that. I would not call an LLM a mind, but I would say minds do this observe patterns->distill information->generate new patterns thing very well. So “mind-like” is all I could come up with.

            legal definitions would only allow creativity to come from humans

            That would be part of the ethical dilemma we will need to solve, which corporations will be on a very predictable side of. Our laws were written assuming that only humans were capable of creativity and consciousness (however linked, or not, the two might be).

      • Blake [he/him]@feddit.uk
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        1 year ago

        Humans and computers see and understand artwork completely differently. If you tasked both a human and a computer to look at a painting for 10 milliseconds and asked them to recreate it from memory, how accurate would their reproductions be? It is completely wrong and very misleading to equate human learning with machine learning. They are completely different processes.

    • bioemerl@kbin.social
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      1 year ago

      This is the beginning of the end friend.

      People who use AI will create a better cheaper product and at the end of the day its use as a new technology is justified. You’ll be clinging to an ever smaller raft and eventually have to abandon your ideals.

      And at the end of the day art is not stolen when used to train a machine. Copyright itself is an artificial legal construct, and it’s the right to redistribute, not the right to learn from art. You can’t invent rights out of thin air and get any when they’re broken

      • thewitchofcalamari@bookwormstory.social
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        1 year ago

        People who use AI will create a better cheaper product

        i feel like this assumes that there will still be human produced art to train on to improve the genAI model when there isnt any incentive for humans to spend so much time to learn to make art when it can be used for training and when machines can churn out pieces at a faster cheaper rate

        (c) Restrictions. You may not … (iii) use output from the Services to develop models that compete with OpenAI;

        from section 2ciii of OpenAI’s Terms of Use somehow while its justifiable for corporations to use human produced work to train a machine that competes with humans, using corporate machine produced work to train a competing machine is not

        • bioemerl@kbin.social
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          1 year ago

          this assumes that there will still be human produced art to train on to improve the genAI model when there isnt any incentive for humans to learn to make art when it can be used for training

          Fears like this never pan out. People don’t stop doing things just because of AI existing, and we still have people doing things like making vinyl records even though CDs exist or whatever, or taking old-fashioned photographs.

          Artists are going to still exist and they’re going to still be drawing art and they’re going to continue to share it. It may take a chunk out of the number of people who want to learn art, but that’s life and the people training these AI will adapt to it.

          And even if they somehow totally disappear, people will find plenty of new and exciting ways to continue to push the boundaries of what AI can do, because at that point being able to do that will be what gives you a competitive advantage in the world.

          OpenAI’s Terms of Use

          Open AI is a shitty unethical company. Never use them as a litmus test.

          And unfortunately despite what is right or wrong, lawsuits still managed to determine how behavior happens in our modern system, and groups like the MAFIAA (the music and film industry association of America) are happily willing to abuse the law to get their way so that they can make as much money as possible as well.

          • thewitchofcalamari@bookwormstory.social
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            1 year ago

            just like vinyl and other vintage works, i do think it will be a shame that human produced art will become scarce and likely only for the rich to enjoy. i dont see why they would share it freely anymore

            And even if they somehow totally disappear, people will find plenty of new and exciting ways to continue to push the boundaries of what AI can do

            this assumes that genAI models can improve without any new input. but to be honest, it feels more like a, once they wipe out a generation of artist, they are free to increase the price of their “Skill as a Service” out of the reach of an average person for more profit. the GPU and water the genAI models run on arent getting any cheaper so no risk of anyone spinning up their own cluster

            • bioemerl@kbin.social
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              1 year ago

              will become scarce and likely only for the rich to enjoy

              Look at the other side of the coin, every single person on the planet is going to have instant access to an artist in their pocket, a little machine that they can give an instruction to and get a workable piece of art out of.

              That is something that only the rich have access to right now, enable creative expression beyond our wildest imagination for all of the people who don’t have 5 to 10 years of their life to dedicate to learning art.

              You looking at the negative, a relatively small negative, and totally ignoring the positive side of this coin which is going to change the face of human creativity as we know it.

              It’s like being angry that only rich people are going to have bands playing in their restaurants because the poor people will be using records. Sure, but we quite enjoy having prerecorded music nowadays and we would never give that up in exchange for live artists.

              The same principle applies, our lives will be improved by this and as long as that’s the case it’s a good thing, even if it means change.

              From my perspective you’re fighting to keep this sort of self-expression in the hands of the few instead of the hands of the many. Your practicing elitism and pretending in the process that you’re fighting for the common person, but the common person will benefit more from widely accessible and easy to use tools than the rich will.

              i dont see why they would share it freely anymore

              Because humans like to express themselves and share that expression as widely as they can for no other reason than the active sharing and having their works seen by many.

              The most pure and durable Art is Art as a hobby. Art as a form of self-expression?

              this assumes that genAI models can improve without any new input

              They can. Or at least, you can use things like human rating systems to guide an AI to produce outputs that people enjoy and train it that way instead of using raw works of art.

              As a rule, if humans can do it, AI can do it too. It’s only a matter of figuring out how.

              • thewitchofcalamari@bookwormstory.social
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                1 year ago

                do let me know if im coming off as combative and this isnt the place for it, i do admit i definitely am a pessimist

                Is something that only the rich have access to right now, enable creative expression beyond our wildest imagination for all of the people who don’t have 5 to 10 years of their life to dedicate to learning art.

                isnt this possible just by commissioning an artist from fiverr or deviantart with your own prompt of an image you want. for the amount of times a person wished they had spent time learning how to draw, we would let many more companies get away with not paying artists for every piece of art available in a board/card game so they could make more money

                Sure, but we quite enjoy having prerecorded music nowadays and we would never give that up in exchange for live artists.

                would we give that up instead for genAI created music? no one has the time for 5 to 10 years of vocal training too

                Because humans like to express themselves and share that expression is widely as they can for no other reason than the active sharing and having their works seen by many.

                when genAI models can learn from art faster than a human can, art becomes a working professional artist’s only competitive advantage if they wish to live off of their work. while it may be shared, but possibly only behind a glass screen in a private gallery with metal detectors prohibiting cameras at the front, considering how futile anti-AI art filters may end up

                Why do you doubt the most pure form of art? Art as a hobby. Art as a form of self-expression?

                because people are unwilling to spend 5 to 10 years learning art as a hobby to express themselves when they can still earn some money from it as their passion now

                • VoterFrog@kbin.social
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                  1 year ago

                  I’d like to chime in the point out that the vast majority of employed artists aren’t making anything as creative as cover art for a hobbyist board game. If they’re lucky, they’re doing illustrations for Barbie Monopoly or working on some other uncreative cash grab. More likely, they’re doing incredibly bland corporate graphic design. And if you ask me, the less of humanity’s time we dedicate to bullshit like that, the better.

                  Professionals will spend more of their time concerned with higher order functions like composition and direction. More indies and small businesses will be empowered to create things without the added expense. And consumers will be able to afford more stuff with higher quality visuals.

                • bioemerl@kbin.social
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                  1 year ago

                  commissioning an artist from fiverr

                  Not really. It’s still $5. This is a problem for two reasons. First is that no artist can make a living drawing art for $5 a pop, it’s just not sustainable and the only way for you to regularly do this is to take advantage of people who are learning.

                  So you’re not going to get anything very good, and in the process you’re basically paying a human being with some minimum wage to do work for you.

                  we would let many more companies get away with not paying artists for every piece of art available in a board/card game

                  Well yeah, that’s the point. Art becomes free, easily accessed, and more widely spread. a big company right now is going to say what, a few percent of their budget?

                  But small studios? Little groups? People without a large budget? All of a sudden they are able to create works that are competitive with these former large studios because they don’t have to hire an artist anymore. An independent creator can now do more than they ever had, and that makes them more competitive with the big studios.

                  This isn’t the room for the big companies because they don’t have to pay the artist anymore. It’s actually a massive loss, because the more the barrier to entry goes down the worse off they are.

                  And at the end of the day artists aren’t entitled to my money.

                  we would let many more companies get away with not paying artists for every piece of art available in a board/card game

                  Without a question we would. I would absolutely love to take my current library of music and feed it to an AI and say make me more stuff I like and have a constant stream of brand new music instead of listening to the same 200 or 300 songs that I’ve downloaded over the years.

            • millie@lemmy.film
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              1 year ago

              People who haven’t used this tech really have it backward. This enables indie artists to create stuff on their own without corporate oversight. This interview was an opportunity to explore that, but they decided to follow the corporate line of attacking this actually successful four person studio instead of asking about what makes them tick with any actual interest.

              • thewitchofcalamari@bookwormstory.social
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                the thing is this indie group, have been creating boardgames since before genAI models for artwork were popular. their first game in 2016 (top 10 since its release as rated by hobbyists among over a thousand other games) and subsequent expansions on kickstarter did really well even with public domain artwork that dont even look like they fit into a cohesive set. the expansion fetching usually close to a million dollars on kickstarter each time even before retail release

                what makes the game appealing in-spite of the public domain artwork have long been discussed. so to me and possibly the journalist it seems like a question why they felt the need to use genAI art now with so many successful releases without it in the past seems to come off like not wanting to pay for better than public domain artwork

                • millie@lemmy.film
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                  Why does the use of AI to modify art require justification?

                  We seem to have this general culture of people who don’t make things coming after those who do. Every decision of design, methodology, or artistic preference treated as though the creator has an obligation to please every single person who posts their opinions on the internet.

                  The reality is that this simply isn’t true. Art that spends all its energy fretting about whether people will like it ends up being some bland bullshit produced by committee. Art that allows itself to be what it is doesn’t need opinions and suggestions to flourish.

                  If the author of that article were remotely interested in their process or what the actual practical implications of using AI on a project are, they could have had something worth reading.

                  Instead they went into the interview looking to push a position and badgering without listening rather than making even a passing attempt at something resembling journalism. Because ultimately they don’t care about AI, or art, or games; they care about rage clicks.

        • millie@lemmy.film
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          AI art of any reasonable quality still requires significant human input. I don’t just mean prompt engineering, I mean actually having an artist using more traditional techniques to make adjustments or provide a base for the AI work. The output of raw AI art on its own can be impressive at times, but it’s not consistent enough to maintain a style for any sizeable piece of work.

          If you want to be able to create a bunch of assets that look like they were designed for the same project with AI, somebody still needs to do some art.

          What AI does do, though, is give those artists the ability to exponentially increase their productivity independently, with no particular need for the sort of labor-hour organization that a corporation provides.

          It should be telling that the corporate media spin on this is to attack it and to publicize voices that criticize it, but never those that express nuance. That’s because it terrifies every useless corporate lackey who understands its actual potential to empower independent artists of all kinds.

        • t3rmit3@beehaw.org
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          1 year ago

          Note that ToS are not legally binding in any way, it just means they reserve the right to deny you use of their service for doing so. They probably cannot (and have not tried) to sue anyone for commercial training use of their models.

          • millie@lemmy.film
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            1 year ago

            They can be binding in the sense that they can govern the licensing or potentially ownership of submitted assets. So like, for example, a ToS could have a bunch of clauses that carry no legal obligation for you, but could also include a clause that grants the company licensing to use your likeness or things submitted to the server or interaction with it. The same way any ToS can license the use of your metadata for sale to 3rd parties.

            That doesn’t have any particular legally binding requirements of you, but it can serve as a shield in the event of a lawsuit if, say, Facebook uses your profile photo in some advertising materials.

            It can also be useful if you’re running a small project like an independent game server. Even if there’s literally no money in it, it can be helpful to clarify who owns what in the event of something like a false DMCA. If a developer who once was doing work with you suddenly decides to take their ball and go home, some sort of agreement that outlines your ownership or usage rights surrounding code submitted to your mod can protect you when they turn around and send Steam a DMCA.

            But yeah, nobody’s going to get sued for using a service in a way that the ToS prohibits unless it’s already illegal, like theft.

        • FatCrab@lemmy.one
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          1 year ago

          Understand that this is not an IP right that OpenAI is defining and promising enforcement of, but simply a contracted obligation. As it currently stands in the US, there is no property right in the outputs of a generative model (like a gpt or sd).

          • thewitchofcalamari@bookwormstory.social
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            yes but it comes off as really hypocritical of companies putting that in their Terms because they know rival genAI models could train on their output data to undercut them the same way they trained freely off of human’s data to undercut humans. and somehow its only ok if theyre the one benefiting from it because they have a bigger team of lawyers

      • sandriver@beehaw.org
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        1 year ago

        Not better and cheaper, but cheaper faster and worse. And that’s what a lot of dodgy business care about.

  • Intrepidtron@lemm.ee
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    1 year ago

    The artwork on some of the Terraforming Mars cards already has a janky, AI-generated look, frankly.

    • roguetrick@kbin.social
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      1 year ago

      From the interview, all the artists originally used free stock art as a base in the first place. They’ve just expanded their… breadth.

  • roguetrick@kbin.social
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    I actually think this brings up a good point. Artists they hire for these tabletop game jobs will end up using AI to create a base image or backgrounds and edit it for the project one way or another. They’ll do it to increase their own output and income.

    Edit: And guys like this will pay you less to extract more profits from you with that in mind of course.

  • millie@lemmy.film
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    1 year ago

    What a terrible interview. The interviewer literally repeatedly asks questions that they’ve already answered and shows pretty clearly that they haven’t bothered actually researching or trying AI art technology. They certainly seemed to have read plenty of articles about how bad AI is, but didn’t even bother scratching the surface of how it’s actually used.

    It reads like a hit piece coming from someone who only reads what comes up in their feed.

  • PelicanPersuader@beehaw.org
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    1 year ago

    What I’m hearing is that the images in the game can’t be copyrighted and any of their competitors can use them with impunity. Awesome.

    • millie@lemmy.film
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      You’d be making a mistake there. AI elements can’t be copyrighted, but human-created elements can. There’s also a line somewhere at which point AI generation is used as a tool to enhance hand-made art rather than to generate entire pieces wholesale.

      Like, let’s look at this Soul Token for my Planescape themed Conan Exiles server (still in development).

      https://cdn.discordapp.com/attachments/1097400802764664843/1110453997413867560/image.png

      I went into GIMP, drew a simple skull based on a design I found on google image search, slapped it on a very simple little circle, and popped it into NightCafe for some detail work. The end result is something I composed myself, with the most significant visual elements created by hand and spiced up a bit essentially using a big complicated filter. The result saved me hours and gave me one of many little in-game items to mod into my server that I never would have had the resources to produce in bulk otherwise as an independent developer.

      Who owns it?

      Well, I drew the skull after training myself on google image search data, but presumably my hand drawing of a fairly generic object still belongs to me. I drew the circle that makes up the coin itself, but NightCafe added some nicely lit metallic coloring, gave it a border, and turned my little skull into a gem. This, of course, requiring some prompt engineering and iteration on my part.

      So is adding a texture and a little border detail enough to interfere with my ownership? Should it be? If I didn’t hand-create enough of the work to constitute ownership, surely there’s some point at which a vanishingly small amount of AI detail being added to the art doesn’t eliminate the independent creation of the art itself. If I were to paint an elaborate landscape by hand and then AI generate a border for it, surely that border shouldn’t eliminate the legitimacy of my contributions.

      At some point, the difference between the use of AI and the use of a filter in an image editor becomes essentially non-existent. Yes, an AI can create a lot more from scratch, but in practical terms it’s much easier to get it started with a bit of traditional art than it is to spend hours engineering prompts trying to get rid of weird extra eyeballs and spaghetti fingers.

      I’d love to see a more elaborate discussion on this topic, but so far all we get is some form of ‘AI bad!’ and then some artists dropping a little bit of nuance without it really seeming to go anywhere.

      This technology has the potential to elevate independent artists to the sort of productivity that only corporations, with their inherent inspiration-killing bureaucracy, could previously achieve. That’s a good thing.

      • chicken@lemmy.dbzer0.com
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        1 year ago

        Seems like even if someone could in theory legally reuse some aspect of AI generated/assisted art, it would be prohibitively difficult or impossible to separate it out from the manually created components or know exactly where the line is legally, so it would be completely impractical to use.

        • millie@lemmy.film
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          Artists aren’t lawyers and don’t want to be. Except for the ones that are. But that isn’t most of us.

          Artists make art. If you want to look for the people who like to make policy, look to the jackasses in suits who sit around having meetings about meetings all day to justify scalping the work made by actual artists. The same kinds of people who fund stories like this blatantly uninformed hit piece.

          Fuck them and the horse they rode in on.

          At some point the line will have to be discovered, because the use of AI for art isn’t going away. Suits can whine about it all they want. Art doesn’t really care.