now they’re making a live action moana in 2025. it hasn’t even been 10 years, disney is lowballing so hard with these lifeless remakes. hopefully ariel flops bad enough that they change their minds.
now they’re making a live action moana in 2025. it hasn’t even been 10 years, disney is lowballing so hard with these lifeless remakes. hopefully ariel flops bad enough that they change their minds.
Nah. The Little Mermaid live action was pretty good. There are many kids I know that prefer the remakes than the original cartoons. I’m okay with letting them have their own movies that us old folks maybe don’t like as much
What if we tried coming up with new stories instead of giving our kids the same reheated leftovers from yesterday?
“Capitalism breeds innovation”. The “innovation”: Entertainment executives too afraid to try out new ideas for the absolute dread of commercial failure, so they’d rather give us Despicable Me 8 and Toy Story 6 instead
Easy money. That’s the result of late stage capitalism consumer culture.
These remakes feel like a copyright extension as well as a cash grab for Disney. Win win for the mouse
It’s one of those things you can’t un-see
All of theater is basically a nostalgia game. Shows and Operas have been playing for hundreds of years, and that’s fine. Even something like “Lion King” is a not-so-subtle replay of the incredibly traditional Shakespearean play “Hamlet”.
And plays like Peter Pan were going on for decades before Disney’s cartoon edition.
Sometimes, its nice to just lean into the nostalgia. A changed song or two with a new set of actors is … fine? Its how its been done for decades, or even centuries of theater.
I’m well aware most of the themes and plots in literature are an exercise in “Can I copy your homework?” “Sure, just change it up a bit so it doesn’t look obvious”.
But there’s “original”, and then there’s “are you even trying?”. We all know the current live action remakes were done for copyright extension reasons and little to no effort was put into refreshing up the stories, giving them a nice twist, nada.
If Sophocles was able to do retellings of ancient myths, which his audience already knew in full, and still could keep people interested in the play and even introduce enough innovations to earn the praise of his peers, then so can we even if we start from a material that’s not truly original.
Actually, Lion King is a testament Disney knows how to do this. When it came out, nobody was saying “This movie is trash. It’s just Hamlet with talking animals”, even though when you’re told you can clearly see it takes lots of themes and character archetypes from said play. But it also changed things up a bit to warrant being it’s own thing, and praised accordingly.
Trying to compare mediums like animation movies to theatrical plays is bound to make for some strange comparisons. With movies if I want to take a stroll down memory lane I can just replay the old ones, even show them to my kids for them to see what I liked when I was their age.
On the other hand, it’s in the very nature of theatre to redo the same plays over and over by one same company, sometimes in an itinerant fashion sometimes not. Because it’s a live spectacle, that’s the only way for new audiences to actually watch the play.
Except you know as much as I do that “The Great Gatsby” and “A Star Is Born” is remade every 20 to 30ish years. That’s well within movie/cinema tradition.
When I look at the good remakes, like Aladdin, I can easily point out that all the songs have changed significantly. Will Smith is more of a rapper than a singer. As such, the Genie songs were closer to rap. And that’s an interesting change.
The stunts in the live-action version of Aladdin are real. The actor they chose was an expert parkour guy with incredible moves: able to leap, roll, climb, and descend on-par with Jackie Chan. These stunts hit in a way that a cartoon-movie could never do.
Finally: each Live-action remake is ~2 hours of runtime rather than ~1h 30m. There’s at least 30-additional minutes of script in all of them. Its not always used effectively, but I think its safe to say that Cinderella, Aladdin, and The Little Mermaid all did a good job with the additional 30-minutes. (Other movies: Dumbo or Mulan, did not do a good job).
One more thing (I’m making a new post because I forgot about this point a few days ago…)
All the parts that weren’t stolen from Hamlet were stolen from the 1966 Japanese-anime “Kimba the White Lion”. Which were basically the animal parts. Simba himself is damn near identical to a golden-fur’d Kimba.
The actually unique story, which Disney had to pour tons-and-tons of money into to actually get done, was Pocahontas. But as we all know, Lion King made more money, so Disney learned its lesson.
Uniqueness / new stories don’t sell as well as you think they do. Unfortunately. Its a lot easier to take designs from 30+ years ago (ie: a 1990s cartoon stealing a successful style from a 1960s anime) than to invent a new style.
The difference was that in 1990s, we didn’t have Wikipedia, so it was harder to notice what was, or wasn’t “stolen” or “borrowed” from other cultures.
Yeah I just ignore their existence. The last one I watched was beauty and the beast I think. And I didn’t like it so I was like aight I’m out
Honestly, I thought Beauty and the Beast was the weakest of the remakes so far.
Mulan was stupid, mostly because of superpowers given to the character.
I thought Aladdin was good too.