Yeah I almost exclusively listen to full albums. Definitely helps give context to the music and understand the artist better. I also agree that you should give it a few listens. Some great albums need you to dial in before you really fall in love with them. It’s a more active process than just listening to an unending algorithmic recommendation stream, but the effort is rewarded!
the flow between songs is sometimes better than the individual songs. Bonus points for artists that use transitory tracks between the main ones. Those are always weird.
A personal example of mine was morcheeba, had listened to their early albums, never the later ones, got a hold of a discog, that band is one of my top favorites now.
Ah Morcheba! Now that’s a band I’ve not heard in a while!
Another album feature I enjoy is the “bonus” track at the end after an absurd length of silence. 1977 by Ash comes to mind. Nothing like going to sleep with an album on to be suddenly woken up by drunk people puking.
As well as transitional tracks, I love it when tracks genuinely feel like they exist as part of something larger. Whether through transitions within the tracks (Nonegon Infinity by King Gizzard and the Lizard Wizard takes this to the extreme) or by essentially turning the album into one long almost operatic piece (like Colours by Between the Buried and Me).
massive attack i believe, has a track that has a “hidden track” which is just like 8 minutes of ambient noise. After an immediate banger as well, so it just gaslights you. It’s great.
i’ve always been intrigued by bands and artists that meld songs between the album, it’s an interesting experience. Boards of canada does it somewhat. It’s pretty hard to distinguish which makes it really interesting to listen to. It’s all one thing, but a collection of many different things also. Very interesting.
Yeah I almost exclusively listen to full albums. Definitely helps give context to the music and understand the artist better. I also agree that you should give it a few listens. Some great albums need you to dial in before you really fall in love with them. It’s a more active process than just listening to an unending algorithmic recommendation stream, but the effort is rewarded!
the flow between songs is sometimes better than the individual songs. Bonus points for artists that use transitory tracks between the main ones. Those are always weird.
A personal example of mine was morcheeba, had listened to their early albums, never the later ones, got a hold of a discog, that band is one of my top favorites now.
Ah Morcheba! Now that’s a band I’ve not heard in a while!
Another album feature I enjoy is the “bonus” track at the end after an absurd length of silence. 1977 by Ash comes to mind. Nothing like going to sleep with an album on to be suddenly woken up by drunk people puking.
As well as transitional tracks, I love it when tracks genuinely feel like they exist as part of something larger. Whether through transitions within the tracks (Nonegon Infinity by King Gizzard and the Lizard Wizard takes this to the extreme) or by essentially turning the album into one long almost operatic piece (like Colours by Between the Buried and Me).
massive attack i believe, has a track that has a “hidden track” which is just like 8 minutes of ambient noise. After an immediate banger as well, so it just gaslights you. It’s great.
i’ve always been intrigued by bands and artists that meld songs between the album, it’s an interesting experience. Boards of canada does it somewhat. It’s pretty hard to distinguish which makes it really interesting to listen to. It’s all one thing, but a collection of many different things also. Very interesting.