I’m on it, get on it
The troops are on fire!
Ya know I need it, much closer
I’m trading just a little more
Step on it, electronic
The troops are on fire!
I’m much deeper, a sleeper
Waiting for the trip
Come on it, get on it
I’m carving through a letterbomb
I need it, loud potions
These drugs are just an hour away
Come on it, electronic
A polyphonic prostitute, the motors, on fire
Messiah for the animals
Ah, oh come on!
We got our backs to the wall!
Ah!
Get on!
And watch out!
Sayin’, “Yer gonna kill us all!”
This song contains references to:
Quick Assessment
From WWI onwards for someone to get all the references, but someone from the early 1800s would understand most of the references.
Modifications
letterbomb is the most difficult reference, but could be exchanged with a word equaling “large devastating treaty” that should exist at any time in written history.
electronic is also not really required to preserve the overall meaning of the song, as it only conveys a general sense of synthetic melody (completing the audio synths). One could equate this with a fancy instrument for the time.
backs to the wall in general conveys a desperate situation, and warfare is not a new invention. A similar more timely phrase could be substituted, though it would require a more timely replacement for “you’re gonna kill us all” too.
Verdict
Stripping the song of its 1900 references would place it in the 1500s, pinned by the general concept of locomotion. Though doing so would remove its psychedelic connotations of drug abuse and withdrawal.