Ridley Scott has been typically dismissive of critics taking issue with his forthcoming movie Napoleon, particularly French ones.
While his big-screen epic, starring Joaquin Phoenix as the embattled French emperor with Vanessa Kirby as his wife Josephine, has earned the veteran director plaudits in the UK, French critics have been less gushing, with Le Figaro saying the film could have been called “Barbie and Ken under the Empire,” French GQ calling the film “deeply clumsy, unnatural and unintentionally clumsy” and Le Point magazine quoting biographer Patrice Gueniffey calling the film “very anti-French and pro-British.”
Asked by the BBC to respond, Scott replied with customary swagger:
“The French don’t even like themselves. The audience that I showed it to in Paris, they loved it.”
The film’s world premiere took place in the French capital this week.
Scott added he would say to historians questioning the accuracy of his storytelling:
“Were you there? Oh you weren’t there. Then how do you know?”
Because the people who were there wrote it down, and now we can read it. Scott’s line of reasoning is inherently inconsistent because if followed it would mean we have to evidence of Napoleon Bonaparte existing in the first place. Boy is Ridley Scott going to feel dumb when he realizes he made a biopic of a mythical character combined from the real stories of several French generals after the revolution—if there even was a French Revolution, I mean, we weren’t there.
Is there anything more embarrassing than people who think they know better than historians and reject the entire discipline of historiography? It’s like being anti-vax but extended to everything you don’t personally see.