There are many interpretations of this work, and unfortunately the author was alive long enough to write much about it and react to some of those interpretations.

It is my personal opinion that an artist is not a critic, and should not try to be, they should sit back and not try to explain their work. Because their words have a huge impact on how people enjoy it. And usually only hurts people’s enjoyment and interpretation.

Therefore, I will not write any of what he has said about it, but I will say it is available if you want to ignore the joy of building your own interpretation. I will say it is simply a beautiful painting, painted with hints of impressionism, expressionism, even possibly cubism. This work is way ahead of its time, and was considered by some at the time to be the most beautiful American painting ever.

  • culpritus [any]@hexbear.net
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    1 year ago

    looks a bit like he’s listening to podcast with that white detail on his chest and neck being some headphones coming from a device in the left hand

    • craftyindividual@lemm.eeM
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      1 year ago

      “Welcome to Craft Beer and Shipwreck Survival, hosted by Bob McCracken. BUT FIRST A MESSAGE FROM OUR SPONSOR - Big Bob’s House of ocean going repair, safety and survival foods - you’ll never set sail without a well stocked vessel again!”

  • craftyindividual@lemm.eeM
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    1 year ago

    Thanks so much for posting this. There really is a lot going on here, not least the choice of a black man as single subject in a prestigious painting of 1899, in what you might imagine was an art world of mainly wealthy white buyers.

    For me personally this is the greatest type of work, theres finesse, light and dark, textures, great positioning of different subjects - and underlying mystery. I wasn’t even aware of Winslow Homer before joining the group, but I’m keen to study more.

    There’s a potential sequel painting in watercolor.