Those claiming AI training on copyrighted works is “theft” misunderstand key aspects of copyright law and AI technology. Copyright protects specific expressions of ideas, not the ideas themselves. When AI systems ingest copyrighted works, they’re extracting general patterns and concepts - the “Bob Dylan-ness” or “Hemingway-ness” - not copying specific text or images.
This process is akin to how humans learn by reading widely and absorbing styles and techniques, rather than memorizing and reproducing exact passages. The AI discards the original text, keeping only abstract representations in “vector space”. When generating new content, the AI isn’t recreating copyrighted works, but producing new expressions inspired by the concepts it’s learned.
This is fundamentally different from copying a book or song. It’s more like the long-standing artistic tradition of being influenced by others’ work. The law has always recognized that ideas themselves can’t be owned - only particular expressions of them.
Moreover, there’s precedent for this kind of use being considered “transformative” and thus fair use. The Google Books project, which scanned millions of books to create a searchable index, was ruled legal despite protests from authors and publishers. AI training is arguably even more transformative.
While it’s understandable that creators feel uneasy about this new technology, labeling it “theft” is both legally and technically inaccurate. We may need new ways to support and compensate creators in the AI age, but that doesn’t make the current use of copyrighted works for AI training illegal or unethical.
For those interested, this argument is nicely laid out by Damien Riehl in FLOSS Weekly episode 744. https://twit.tv/shows/floss-weekly/episodes/744
That’s the reason we got copyright, but I don’t think that’s the only reason we could want copyright.
Two good reasons to want copyright:
Accurate attribution:
Open source thrives on the notion that: if there’s a new problem to be solved, and it requires a new way of thinking to solve it, someone will start a project whose goal is not just to build new tools to solve the problem but also to attract other people who want to think about the problem together.
If anyone can take the codebase and pretend to be the original author, that will splinter the conversation and degrade the ability of everyone to find each other and collaborate.
In the past, this was pretty much impossible because you could check a search engine or social media to find the truth. But with enshittification and bots at every turn, that looks less and less guaranteed.
Faithful reproduction:
If I write a book and make some controversial claims, yet it still provokes a lot of interest, people might be inclined to publish slightly different versions to advance their own opinions.
Maybe a version where I seem to be making an abhorrent argument, in an effort to mitigate my influence. Maybe a version where I make an argument that the rogue publisher finds more palatable, to use my popularity to boost their own arguments.
This actually happened during the early days of publishing, by the way! It’s part of the reason we got copyright in the first place.
And again, it seems like this would be impossible to get away with now, buuut… I’m not so sure anymore.
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Personally:
I favor piracy in the sense that I think everyone has a right to witness culture even if they can’t afford the price of admission.
And I favor remixing because the cultural conversation should be an active read-write two-way street, no just passive consumption.
But I also favor some form of licensing, because I think we have a duty to respect the integrity of the work and the voice of the creator.
I think AI training is very different from piracy. I’ve never downloaded a mega pack of songs and said to my friends “Listen to what I made!” I think anyone who compares OpenAI to pirates (favorably) is unwittingly helping the next set of feudal tech lords build a wall around the entirety of human creativity, and they won’t realize their mistake until the real toll booths open up.
I’ve never done this. But I have taken lessons from people for instruments, listened to bands I like, and then created and played songs that certainly are influences by all of that. I’ve also taken a lot of art classes, and studied other people’s painting styles and then created things from what I’ve learned, and said “look at what I made!” Which is far more akin to what AI is doing that what you are implying here.
So what if its closer? Its still not an accurate description, because thats not what AI does.
Because what they are describing is just straight up theft, while what I describes is so much closer to how one trains and ai. I’m afraid that what comes out of this ai hysteria is that copyright gets more strict and humans copying style even becomes illegal.
I’m sympathetic to the reflexive impulse to defend OpenAI out of a fear that this whole thing results in even worse copyright law.
I, too, think copyright law is already smothering the cultural conversation and we’re potentially only a couple of legislative acts away from having “property of Disney” emblazoned on our eyeballs.
But don’t fall into their trap of seeing everything through the lens of copyright!
We have other laws!
We can attack OpenAI on antitrust, likeness rights, libel, privacy, and labor laws.
Being critical of OpenAI doesn’t have to mean siding with the big IP bosses. Don’t accept that framing.
Their framing of how AI works is grossly inaccurate. I just corrected that.
Well that all doesn’t matter much. If AI is used to cause harm, it should be regulated. If that frustrates you then go get the laws changed that allow shitty companies to ruin good ideas.
I never said anything about leaving ai unregulated. I never said anything about being frustrated. And its likely you asking for laws to be changed, not me.
I’m not even sure you’re responding to my post.