I’m sure we all know about the low audience scores given to The Acolyte. Rotten Tomatoes was sitting down at 14% since around the third episode, and was that low up until at least the last episode. Now that it’s nearly a week out from the season finale, I figured I’d take another look.
The Rotten Tomatoes score has gone up to 17% and other review platforms have gone up a bit also.
So I decided to read through a few of the recent ones. Here are two examples:
The showrunners accuse fans of “review bombing” but are apparently just fine with artificial review boosting. I saw a bunch of these double reviews and nearly every single one talked about things like diversity, a “fresh take”, production values, etc, all in that typical bland corporate-speech type of language.
Whereas the negative reviews are detailed and specific without ever getting into racism, bigotry, sexism, or other things fans are often accused of. If you read through the negative reviews they are often well thought out criticisms of the story itself and the quality of acting.
I just wanted to bring this fake review boosting to the community’s attention. If you enjoyed the show, that’s awesome. But it’s dishonest to dilute honest and fair criticisms of a show.
I guess you and I have a different interpretation of the story, because I felt it was pretty fun. A bit predictable, but a refreshing change from the usual star wars fare. 1/10 reviews that say “the story makes no sense” are, imo, displaying either bad faith or a relatively low media literacy.
It’s not for everyone, and that’s fine. But it’s a culture war thing now, and not being judged on its own merits by most people. You are not immune to propaganda.
It doesn’t make sense because the motivations are all over the place. Mae and Osha switch sides at the drop of a hat (all while Amandala’s expression never changes, Amandala’s acting was abysmal). The whole “we must take the girls to protect them” plotline was just empty.
The depiction of the Jedi was incredibly forced also (no pun intended).
And that’s no one’s fault but Disney’s. No one cared about the gender or sexual preferences of the actors. However, the show runners decided to make that a large part of their marketing and talking points.
Avery Brooks said it best. Just replace what he says with “being queer” or “lesbian” (for the Acolyte).
There was this inclusion speech seminar everyone at my company had to go through, and mind you this was over a decade ago at this point. I originally thought it was incredibly stupid and there’s nothing I could learn from it as I always treat everyone with respect.
But the one thing that has always stuck with my was the way speech can impact your attitude or your perceived attitude. Instead of saying “that’s a blind person” you should say “that person has blindness”. It’s a subtle point but when you study other languages you learn that word order can change the emphasis to a degree that doesn’t exist in English.
What I’m saying with all of this is that good characters aren’t written by starting with a distinctive aspect, like Avery Brooks said. No one cared that Rogue One had a female lead, but Disney accused everyone of not liking the ST and Rey because she’s a female lead.
Not sure I’d call “learning that everything I have ever been told by the Jedi is a lie and that they’re responsible for all of my pain and grief which they ultimately used as a reason to reject me from the Jedi Order, the one thing I wanted more than anything, and blamed it all on my sister” is the drop of a hat, but go off I guess.
No idea what you’re talking about r.e. queer/lesbian. There wasn’t any girl-on-girl action in the version I watched, they must have cut that out for the version screened in the UK.