YouTube disallowing adblockers, Reddit charging for API usage, Twitter blocking non-registered users. These events happen almost at the same time. Is this one of the effects of the tech bubble burst?

  • TheGreenGhost@lemmy.world
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    1 year ago

    This concept is also why I’m so hopeful for federated software. The federated model means that there’s no single instance that holds all the power. Many of these instances are run by admins of their own kindness and initiative. And at worst, if any instance were to start being “enshittified,” people could easily move to another instance and continue participating in the greater network.

    Between all of what we’ve seen unfold in the last few months, and even weeks, on Twitter and Reddit, it’s safe to say that “enshittification” could be reaching critical mass. That’s why I came here, after all, and I’m looking forward to seeing this community simply persist here on the web.

    • bionicjoey@lemmy.ca
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      1 year ago

      My fear is that even if you’re correct, as the internet monoliths that have been built on the past decade fall to federated software, we will lose forever an immeasurable amount of arts and culture that has been stockpiled in these corporate spaces. Think of all the great educational YouTubers whose videos won’t be able to be passed on to whatever the next thing is if YouTube collapses.

      • nuachtan@lemmy.world
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        1 year ago

        I think I can understand your point. Large ‘“media” companies will horde the content and refuse to let it see the light of day because they believe they own it. I don’t think that’s how it would go down. Anything I’ve ever produced to be put on the web still exists somewhere on a hard drive that I control. I doubt the big name educational YouTubers are deleting the source material as soon as it goes up to YouTube.

        Besides, a lot of the good ones have already moved to Nebula as well. If thought like educational YouTube you should check it out.

          • Absolutely. I was a big part of the non professional music production side of YouTube a decade ago. Imagine getting 100+ new songs every week, from talented artists putting everything they had into their work. It was incredible! This year I got into data hoarding and looked into downloading my old favorite songs… Turns out most of them deleted their old work from YouTube when they went pro or simply closed out their channel for personal reasons. Not even the compilation channels were still around. Hundreds of thousands of songs are just gone, along with the records of that community’s culture.

            • Ggtfmhy@lemmy.fmhy.ml
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              1 year ago

              Not an amateur producer at all, but a few years ago I was listening to a lot of YouTube mixes while working. Lofi stuff might be cookie cutter elevator music to you, but I loved some mixes over others. I got attached to some of them, and discovered a ton of artists that way. These were single, long videos with many tracks each.

              My heart sank when I started finding some of them turn into broken links. I figured out YouTube-DL and got to archiving. I found some reuploads of playlists I liked such as the wonderful Morning Coffee by the amazing SoulSearchAndDestroy (the lead song, damn fine coffee by mtbrd, is one of my favorite lofi tracks ever). Other playlists have been lost to time.

              Sometimes I skim through my archived playlists to find a song I can remember in my head, and sometimes I don’t find the song, and it’s possible that I will never find it again. Again, silly for this to happen with lofi of all things (one of the most dispassionate and almost disposable genres of music).

              I still think YouTube is unmatched for music discovery. Yes, you’re clicking on songs for “bad” reasons such as the thumbnail or recognizing the curator’s channel, but it worked pretty damn well for me.

            • SolarNialamide@slrpnk.net
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              1 year ago

              7 years ago I got introduced to this really small local artist by a friend who had just a handful of songs on his YouTube channel, but they were all incredible. I could listen to music while I worked but it wasn’t super practical to have my phone out for it, so I always converted songs from YouTube to mp3 and downloaded them to put on my mp3-player. I did that with this artists songs as well. A few years later, I wanted to show another friend this music, and the whole channel was deleted. Sometimes I wonder if I and the artist itself are the only people who have a recording of his songs in the world.

          • nuachtan@lemmy.world
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            1 year ago

            Thanks for the link. That was an entertaining watch! Still, the narrator states that he is sure the original exists on a hard drive somewhere. He also gives a solution towards the end of the video. If you really like something download it.

      • Your Huckleberry@lemmy.world
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        1 year ago

        Those folks will re-upload old content onto the new platforms. I know people don’t like to talk about money, especially in relation to the fediverse, but it’s important. If you want someone to dedicate a large portion of their energy into making high-quality content, it’s not unreasonable for them to want to make money doing it. How can we get money into the hands of content creators without allowing centralized control of the content?

        • Dr Cog@mander.xyz
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          1 year ago

          Unfortunately, this isn’t likely to happen. Video files are huge (tens or hundreds of gigabytes) and many creators delete old videos once they are uploaded to Youtube so that they don’t run out of space or keep having to buy more and more drive space. Even tech YouTubers like MKBHD pull clips from their old videos directly off YouTube because they no longer have the originals (he did a podcast talking about this)

          • C_M@feddit.nl
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            1 year ago

            That is stupid. I get that smaller creators it maybe lesss feasible to backup. Because they don’t make enough money. But a video file, certainly if you put same compression as yt, isn’t that big. Say one gb per vid, that is 30 gb a month (say times 3 for redundency) you have less than 1tb a month, of lees than 60 bucks of storage drives a month. Small price pay for someone that has a million dollar studio to not be trusting on yt for your videos. But thay also disn’t talk about the risk of putting your 2fa in the cloud, so i am not that surprised

              • C_M@feddit.nl
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                1 year ago

                I get that. Thats why i included that it is a bit different for smaller creators. So yes, we cant assume there are a lot of backups for if youtube decide to go more evil. But I think of you make your money with youtube, you should invest in storing your own backups. If only for if your channel get hacked and they delete al your videos and youtube cant/wont help to restore them. And that is why i get a bit sad if a big channel says something like this, because in my eyes its very bad practice to relay on yt for your backups. ( Assuming they dont do a seperate backup amd only just rip from yt because of ease of access).

              • Randy_Bobandy
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                1 year ago

                I don’t have a million dollar studio, but I can still afford a 20tb external hdd.

        • bionicjoey@lemmy.ca
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          1 year ago

          Not all of them. What about the ones who are no longer active on the platform? The ones people forgot about? The ones who have died? You think there will be 100% coverage? In the case of YouTube, many channel operators don’t actually keep a local copy of all their videos, since the files would be too big. So the only copy is the one on YouTube.

          • Spzi@lemm.ee
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            1 year ago

            What about the ones who are no longer active on the platform? The ones people forgot about? The ones who have died? You think there will be 100% coverage?

            Maybe that’s not that much of a bad thing. The day had the same length before YouTube was a thing, and people spent 100% of their time. Differently. Some things might have been pushed out of sight by YouTube, and a dying giant can create room for new things to grow.

            • bionicjoey@lemmy.ca
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              1 year ago

              The Library of Alexandria burning down wasn’t a good thing. Any time human knowledge that has been collected gets scattered it’s bad

              • Spzi@lemm.ee
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                1 year ago

                I get your point, but the comparison barely holds. The Library of Alexandria had many unique works of cultural and scientific importance. YouTube is full of mundane content, mostly entertainment. Especially the scientific parts are merely re-tellings of other works which do not live on the same platform. Nobody stores their scientific findings on YouTube alone. Many creators do not upload to YouTube alone.

                The more people value a specific video, the higher the chance it got copied elsewhere. So for the important parts, we probably have decent coverage.

                • WhiteTiger@lemmy.world
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                  1 year ago

                  undefined> The Library of Alexandria had many unique works of cultural and scientific importance. YouTube is full of mundane content, mostly entertainment.

                  Are you serious? The vast majority of culturally significant artifacts were, at the time of their creation, mundane and/or entertainment.

                  • Spzi@lemm.ee
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                    1 year ago

                    Are you serious?

                    Yes. From my point of view, you overstate the importance of YouTube or understate the importance of TLoA. But since we’re merely exchanging differences of opinion, we might as well agree to disagree at this point.

                    Luckily, you can store weeks and months of important material on a disk worth a few dozen meals, or join a group who already does it.

          • DickPuncher@lemmy.world
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            1 year ago

            What about all the old art and other stuff that hasn’t been kept around? They probably weren’t worth preserving through the ages, if it’s good enough we’ll see it again