Mad Max is the narrator and story teller that we see everything through, not the main character. This is a common tactic in literature and film and complaining about it shows your entire ass as ignorant. This is the format of all of the mad max films.
Second, burning off excess during scarcity is the #1 way humans have demonstrated religion and sacredness throughout history. Does it “break your immersions” when ancient starving shepherds killed their best lamb and burned it at an altar? Joe’s entire faction is a cult dedicated to cars, burning excess guzzoline is a sacred rite and a tactic to display their wealth and power to others. It makes it more realistic, not less. The war party and convoy chase is obviously a sacred rite and ritual to these people, not just a pragmatic attempt to catch their enemies. They are all in a heightened state of ecstasy, a jihad where they get high and kill themselves to get to Valhalla. They aren’t being perfectly rational, they’re wrapped up in an emotional and religious fervor.
I really can’t get into the reddit-like mind of someone who likes or dislikes films, what are essentially dreamlike works of art, on such superficial “gotcha” “plotholes” and shallow BS. How do you interpret art in such a low-level shallow manner? Do you rag on surrealist paintings because the lighting source is wrong or clocks could never melt or whatever? Seems very pleb and lazy, like when rightoids get mad at paintings for not being photorealistic.
Like, there are legitimate criticisms of the film. I would say one is that the flashbacks of Max were distracting and had no pay-off and muddled the tone of the film. Another is the strong color grading is oversaturated and can make the film feel fake like 300 even though it’s all practical effects, which is one reason I actually prefer the black-and-white version. The black-and-white version with all of Max’s weird flashbacks cut out would be a near perfect film in my opinion though.
Dumb criticisms.
Mad Max is the narrator and story teller that we see everything through, not the main character. This is a common tactic in literature and film and complaining about it shows your entire ass as ignorant. This is the format of all of the mad max films.
Second, burning off excess during scarcity is the #1 way humans have demonstrated religion and sacredness throughout history. Does it “break your immersions” when ancient starving shepherds killed their best lamb and burned it at an altar? Joe’s entire faction is a cult dedicated to cars, burning excess guzzoline is a sacred rite and a tactic to display their wealth and power to others. It makes it more realistic, not less. The war party and convoy chase is obviously a sacred rite and ritual to these people, not just a pragmatic attempt to catch their enemies. They are all in a heightened state of ecstasy, a jihad where they get high and kill themselves to get to Valhalla. They aren’t being perfectly rational, they’re wrapped up in an emotional and religious fervor.
I really can’t get into the reddit-like mind of someone who likes or dislikes films, what are essentially dreamlike works of art, on such superficial “gotcha” “plotholes” and shallow BS. How do you interpret art in such a low-level shallow manner? Do you rag on surrealist paintings because the lighting source is wrong or clocks could never melt or whatever? Seems very pleb and lazy, like when rightoids get mad at paintings for not being photorealistic.
Like, there are legitimate criticisms of the film. I would say one is that the flashbacks of Max were distracting and had no pay-off and muddled the tone of the film. Another is the strong color grading is oversaturated and can make the film feel fake like 300 even though it’s all practical effects, which is one reason I actually prefer the black-and-white version. The black-and-white version with all of Max’s weird flashbacks cut out would be a near perfect film in my opinion though.