It’s both quite interesting and horrible how he essentially became typecast negatively due to racism.
(Source Wikipedia)
Throughout Hayakawa’s career, many segments of American society were filled with feelings of anti-Japanese sentiment, partly from nationalism rising from World War I and World War II.[51] Hayakawa was constantly typecast as a villain or forbidden lover and was unable to play parts that would be given to white actors such as Douglas Fairbanks. Hayakawa stated, “Such roles [in The Wrath of the Gods, The Typhoon, and The Cheat] are not true to our Japanese nature… They are false and give people a wrong idea of us. I wish to make a characterization which shall reveal us as we really are.”[52] In 1949, he lamented, “My one ambition is to play a hero”.
It’s both quite interesting and horrible how he essentially became typecast negatively due to racism.
(Source Wikipedia) Throughout Hayakawa’s career, many segments of American society were filled with feelings of anti-Japanese sentiment, partly from nationalism rising from World War I and World War II.[51] Hayakawa was constantly typecast as a villain or forbidden lover and was unable to play parts that would be given to white actors such as Douglas Fairbanks. Hayakawa stated, “Such roles [in The Wrath of the Gods, The Typhoon, and The Cheat] are not true to our Japanese nature… They are false and give people a wrong idea of us. I wish to make a characterization which shall reveal us as we really are.”[52] In 1949, he lamented, “My one ambition is to play a hero”.