- cross-posted to:
- kgatlw
You must log in or # to comment.
These tracks are going to go absolutely wild at their shows.
The EDM crowd will give the Metal crowd a run for their money when it comes to moshing.
Dunno how many of these tracks we’ll ever see live for the same reason we haven’t seen many B3K songs live; there’s so much extra equipment involved in performing these kind of songs.
? They can just play a recording of what they need live and riff everything else that they can live. Just like they do for a ton of songs. If there’s one thing I know about giz nothing is off the table for seeing it live.
What are some songs that they play a recording and then jam over it?
|If there’s one thing I know about giz nothing is off the table for seeing it live.
They haven’t played anything from Butterfly 3000 live other than Shanghai. Seems lots of songs are off the table because more hardware is needed.
Most songs played live have some sort of aspect that was recorded and played back in order to avoid issues. Sometimes it’s just a backing track . Or weird synth track that they can’t reproduce Live easily. It’s not like they’re playing a whole ass song. Pre-recorded. But they use some pre-recorded bits to assist in everything else. They play live in order to make the song right. And I’m making gizzard at some point. Has played almost everything from their catalog. I know butterfly 3000 is short of love plays but they’ve played more than just Shanghai.
This list of all of their shows and setlists only has Shanghai. I hope I’m wrong about them not playing much of The Silver Cord live. It would be rad if they did an 80s Depeche Mode thing and rocked it out on synths.
Recorded by Stu in the King Gizz rehearsal studio by the Merri Creek in January 2023. Studio setup by recording engineers Nico Wilson and Laura Hancock
Overdubs recorded in green rooms, hotels, airports and busses in France, the Netherlands, Sweden, Norway, Denmark, Poland, Czechia, Austria, Italy, Switzerland, Germany, Belgium, England, Australia and the USA between March and July, 2023
Mixed by Stu at Newmarket Studios in North Melbourne with the help of recording engineer Guus Hoevenaars. Two sessions: one in May and another in July 2023
Mastered by Joseph Carra in July 2023
Produced by Stu Mackenzie
Cover photography, design and layout as well as sunglasses design by Jason Galea
Sunglasses on the cover handcrafted by Radio Eyewear
—
Amby: Vocals / Yamaha DX7 / Moog Grandmother / Mellotron / Roland JX-3P
Cavs: Simmons Drum Synthesiser / Roland TD50X
Cookie: Roland Juno-X / Korg Poly-61 / Casio DG-10 / Yamaha DX7 / Boss DD-7 / EarthQuaker Devices Rainbow Machine / Strymon BlueSky
Joey: Vocals / Roland rc-505 / Arturia Keystep Pro / Roland TR-8 / Mutable Instruments Plaits / Intellijel Quadrax / Happy Nerding FX Aid / Intellijel Metropolis / Befaco Hexmix / Intellijel Bifold / Make Noise Mimeophon / Make Noise Maths / Mutable Instruments Rings / Doepfer A-182-1 Switched Multiples / WMD Geiger Counter / Intellijel Quad VCA / ALM Pamela’s New Workout / Joranalogue Filter 8 / Noise Engineering Basimilus Iteritas Alter / Music Thing Turing Machine / Eowave Quadrantid Swarm / XAOC Devices Belgrad Dual Peak Filter / Mutable Instruments Ripples / Instruo Cs-L Complex Oscillator
Lukey: Moog Matriarch / Moog Sub 37 / Yamaha Reface DX / Roland SH-01A
Stu: Vocals / Roland Juno-60 / Casio SK-5 / Casio DG-1 / Ableton Push 2 / Mellotron / Moog Matriarch / Roland Juno-X / Roland TR-808 / Piano / Boss ME-50 / Boss DD-3 / EarthQuaker Devices Rainbow Machine / Strymon BlueSky / Dunlop Cry Baby
Joey’s modular synth setup sounds fucking insane, I wonder if there’s photos/videos of it
Looking forward to it. Wasnt hooked at first until i listened to them on spotify, already giving me ear worms
